Sarah Perry’s new novel explores conjunctions of love, faith, and science, as her characters are pulled together, apart, and together again, moved by forces as inexorable as those that underlie the bodies they observe astronomically. What constitutes freedom in this world, and what releases us into the wonder that is our own existence? “Extraordinary and ambitious. What Perry has done in this layered, intelligent and moving book is to construct a kind of quantum novel, one that asks us to question conventional linear narratives and recognise instead what is ever-present in Perry's luminous vision of Essex: truth, beauty and love.” —Observer
New books for a new month. Choose and read something new:
Paul Celan and the Trans-Tibetan Angel by Yoko Tawada (translated from German by Susan Bernofsky) $36
Also available as Spontaneous Acts $35
Patrik, who sometimes calls himself ‘the patient’, is a literary researcher living in Berlin, a city just coming back to life after lockdown. Though his beloved opera houses are open again, Patrik cannot leave the house and hardly manages to get out of bed. He is supposed to give a paper at a conference in Paris, on the poetry collection Threadsuns by Paul Celan, but he can't manage to get past the first question on the registration form: "What is your nationality?" As Patrik attempts to find a connection in a world that constantly overwhelms him, he meets a mysterious stranger. The man's name is Leo-Eric Fu, and somehow he already knows Patrik… Yoko Tawada's novel unfolds like a lucid dream in which the solace of friendship, reading, conversation, music, of seeing and being seen weave a life together across decades, languages, and cultures, and reaches out to all of us who find meaning and even obsession in the words of those before us.
”A keen observer of cultural and linguistic dislocation, Tawada has absorbed a kind of anti-language from Celan, a deeply affecting, sui generis diction unmoored from nationality or obvious tradition." —Dustin Illingworth, New Left Review
"The varied characters in Tawada's work — from different countries, of different sexes and species — are united by the quality that Walter Benjamin describes as 'crepuscular': none has a firm place in the world, or firm, inalienable outlines." —Rivka Galchen, The New York Times Magazine
"Yoko Tawada conjures a world between languages. She is a master of subtraction, whose characters often find themselves stripped of language in foreign worlds." —Julian Lucas, The New Yorker
”Tawada’s Paul Celan and the Trans-Tibetan Angel reads almost like a cautionary tale: this is what happens if you devote your life to poetry. Celan’s poems are Patrik’s only confidants. His girlfriend is long gone. A mysterious stranger, the trans-Tibetan angel of the title, lifts his spirits by seeking him out at a café with a gift: a German medical text that Celan once annotated on his quest for new language. This is Tawada's pandemic novel, which is never addressed directly—but it explains why so many buildings are closed, and why Patrik’s desire for connection has a hysterical, unresolved urgency.” —Dan Piepenbring, Harper's
"Tawada is interested in language at its most elusive or incomprehensible." —Natasha Wimmer, The New York Review of Books
Célina by Catherine Axelrad (translated from French by Philip Terry) $38
By the age of fifteen, Célina has lost her father to the sea, a brother to suicide, a sister to tuberculosis, her virginity to a wolfish man at the inn where she was waitressing, and the job at the inn when another servant informed on her. In the Channel Islands of the 1850s, Alderney is not yet the tourist paradise filled with luxury cars it is today. When the chance arises to leave and work in Hauteville House for the Victor Hugo household during their exile in Guernsey, it is Célina's first glimpse of a different kind of life. Axelrad sheds a new light on the complexity of Hugo’s persona, and on the sexual and class dynamics at play in the proprietary, yet strangely tender relationship between the maid and le grand homme. A fictional recreation based on Hugo’s Guernsey Diaries and on letters from his wife, Célina is a miniature literary monument to a forgotten life cut short.
”Pitch-perfect, and so light yet so profound. All of Axelrad's books have at their centre a silent, vulnerable young woman, but also one who is tough and resilient, totally unsentimental but deeply responsive and intelligent. How such a person emerges out of such apparent silence is the wonder of her work. Célina is as quiet and devastating a novel as I have read in a long time. Unforgettable.” —Gabriel Josipovici
”Seen through Célina’s eyes, told with her curiosity, her wonder, her sharp observations, what we witness unfolding here is not so much Victor Hugo’s life as that of the young narrator. We see the intelligence she brings to bear, playing her few cards just so in a time which may be the most patriarchal in our history: the nineteenth century. Catherine Axelrad describes a quiet young woman who nevertheless hears everything, sees everything, silently appraises her lovers, picks and chooses, and escapes submission in her own way. It’s a joyful read.” —Colombe Schneck
”Living in exile in the Channel Islands, the irrepressibly philandering author of Les Misérables went through what is called his ‘Chambermaid Period’. In this moving short novel, Catherine Axelrad gives us the great man and his retinue, his house and his mania for Gothic décor, the island and the threatening sea, all through the eyes of a chambermaid—not a fantasy maid, but the real girl from Alderney whose death in 1861 saddened the whole Hugolian establishment. The poverty, ill-health and exploitation of working folk and especially of the young girls who are brought to life here deepen the understanding of what Hugo’s great novel was really about. In this lively translation by Philip Terry, Axelrad’s portrait of a normal yet unique Victorian household seen from ‘downstairs’ is a true gem.” —David Bellos
”In this remarkable book Catherine Axelrad gives speech to a young woman born in poverty and almost lost to history. Célina is restored to life, emerging as lively, courageous, complex, witty, pragmatic, and joyful. There are moments of great tenderness and longing; despite her exploitation (for relations are often complicated, as Axelrad so subtly weaves), there is a real and delicate relation between her and her master, with whom she discovers the possibility of poetic language. Célina and Célina, woman and book, haunt me.” —Sharon Kivland
Ask Me Again by Clare Sestanovich $38
Eva meets Jamie by chance. She is sixteen, living in middle-class Brooklyn; he is the same age, but from the super-rich of upper Manhattan. She's observant, cautious, eager to seem normal; he's bold, mysterious, eccentric. Eva's family is warm and welcoming, but Jamie avoids going home to his. Despite having little in common, they instantly forge a deep friendship. As Eva goes off to college and falls in and out of love, Jamie drops out of school and is drawn toward radical experiments in politics and religion. Their separate spheres seem to be spiralling away from each other, but it soon becomes clear that they are both circling the same question: how do you define yourself and your beliefs in a divided and unjust world?
”Ask Me Again is a beautifully observed and deeply philosophical novel, which surprises and delights at every turn.” —Jenny Offill
”Rigorous, intensely observed, and brimming with the sort of elusive revelations that form the heartbeat of a life, Sestanovich's novel debut demonstrates a tremendous gift at rendering the texture of love, faith, and heartbreak with both subtlety and force. In her masterful hands, relationships condense, turn acute, and unfurl with symphonic grace across the individual arcs of characters that you can't help but carry with you long afterward.” —Alexandra Kleeman
A Radically Different World: Preparing for climate change by Jonathan Boston $18
Boston provides an urgent exploration of our future in the face of climate change. Focusing on the challenges of adaptation, Boston’s insightful analysis assesses the scale of impact on communities, the need for robust policy for relocation and the design of fair compensation schemes. He charts the changing landscape of residential property insurance and offers a vision for navigating our uncertain future with hope.
A House Built on Sand by Tina Shaw $38
Maxine has been losing things lately. Her car in the shopping centre carpark. Important work files — and her job as a result. Her marbles? 'Mild cognitive impairment', according to the doctor. Time for a nursing home, according to her daughter, Rose. Rose has her own troubles with memory: a recurring vision of a locked cupboard, claustrophobic panic. Something in the shadows. Something to do with the old family house in Kutarere. Back in that house by the beach, Maxine and Rose try to find their bearings. But they can't move forward without dealing with the past — and the past has a few more surprises in store.
”A beautiful story, this tangled yarn of dementia and love—harrowing, haunting and tender.’ —Michelle Elvy
Pirate Enlightenment, Or, The Real Libertalia by David Graeber $30
Pirates have long lived in the realm of romance and fantasy, symbolising risk, lawlessness, and radical visions of freedom. But at the root of this mythology is a rich history of pirate societies — vibrant, imaginative experiments in self-governance and alternative social formations at the edges of European empire. In graduate school, David Graeber conducted ethnographic field research in Madagascar, producing what would eventually become a doctoral thesis on the island's magic, slavery, and politics. During this time, he encountered the Zana-Malata, an ethnic group made up of mixed descendants of the many pirates who settled on the island at the beginning of the eighteenth century. Pirate Enlightenment, or the Real Libertalia, Graeber's final posthumous book, is the outgrowth of this early research, written while he and David Wengrow were working on what would become their major bestseller, The Dawn of Everything. In direct conversation with that work, Graeber explores how the proto-democratic, even libertarian practices of the Zana-Malata came to shape the Enlightenment project defined for too long as distinctly European. The result is a short but sweeping exploration of the non-European origins of what we consider to be "Western" thought, and an endeavor to recover forgotten forms of social and political order that gesture toward new, hopeful possibilities for the future. [Now in paperback!]
”The chief pleasure of Graeber's writing is not that one always agrees with his arguments about the past. It is rather that, through a series of provocative thought experiments, he repeatedly forces us to reconsider our own ways of living in the present. Whatever happened in 18th-century Madagascar, Pirate Enlightenment implies, we could surely all do with a bit more free-thinking and egalitarianism in our own social, sexual and political arrangements.” —Fara Dabhoiwala, The Guardian
This Other Eden by Paul Harding $26
Inspired by historical events, This Other Eden tells the story of Apple Island: an enclave off the coast of the United States where castaways — in flight from society and its judgment — have landed and built a home. In 1792, formerly enslaved Benjamin Honey arrives on the island with his Irish wife, Patience, to make a life together there. More than a century later, the Honeys’ descendants remain, alongside an eccentric, diverse band of neighbours. Then comes the intrusion of ‘civilization’: officials determine to ‘cleanse’ the island. A missionary schoolteacher selects one light-skinned boy to save. The rest will succumb to the authorities’ institutions — or cast themselves on the waters in a new Noah’s Ark. [Now in paperback.]
Short-listed for the 2023 Booker Prize.
”Based on a relatively unknown true story, Paul Harding’s heartbreakingly beautiful novel transports us to a unique island community scrabbling a living. The panel were moved by the delicate symphony of language, land and narrative that Harding brings to bear on the story of the islanders.” —Booker judges’ citation
The World’s Wife and Feminine Gospels by Carol Ann Duffy Each $25
New editions of two favourite books from this beloved feminist poet.
The World’s Wife: Behind every famous man is a great woman - and from the quick-tongued Mrs Darwin to the lascivious Frau Freud, from the adoring Queen Kong to the long-suffering wife of the Devil himself, each one steps from her counterpart's shadow to tell her side of the story in this irresistible collection.
Feminine Gospels: Duffy draws on the historical, the archetypal, the biblical and the fantastical to create various visions — and revisions — of female identity. Simultaneously stripping women bare and revealing them in all their guises and disguises, these poems tell tall stories as though they were true confessions, and spin modern myths from real women seen in every aspect - as bodies and corpses, writers and workers, shoppers and slimmers, fairytale royals or girls-next-door.
“Part of Duffy's talent — besides her ear for ordinary eloquence, her gorgeous, powerful, throwaway lines, her subtlety — is her ventriloquism: from verbal nuances to mind-expanding imaginative leaps, her words seem freshly plucked from the minds of non-poets — that is, she makes it look easy.” —Charlotte Mendelson, Observer
WHAT by John Cooper Clarke $40
Dr John Cooper Clarke's dazzling, scabrous voice has reverberated through pop culture for decades, his influence on generations of performance poets and musicians plain for all to see. In WHAT, the original 'People's Poet' comes storming out of the gate with an uproarious new collection, reminding us why he is one of Britain's most beloved writers and performers. James Brown, John F. Kennedy, Jesus Christ: nobody is safe from the punk rocker's acerbic pen — and that's just the first poem. Hot on the heels of The Luckiest Guy Alive and his sprawling, encyclopaediac memoir I Wanna Be Yours, the good Doctor returns with his most trenchant collection of poems yet. Vivid and alive, with a sensitivity only a writer with a life as varied and extraordinary as Cooper Clarke's could summon, WHAT is an exceptional collection.
Leonardo Forever by Richard Yaxley $20
In the summer of 1465, fourteen-year-old Annalisa de Torriano reluctantly travels with her family to her father’s new estate near the village of Vinci. Although she misses her privileged life, and the wealthy Matteo, in magnificent Florence, Annalisa is soon entranced by the freedom the countryside offers—and by the brilliant and charming young King of the Forest, Leonardo da Vinci, who, alongside his beloved companion Dante, quickly befriends her. Mesmerised by Leo’s intelligence and beauty, an infatuated Annalisa starts to dream of a different life. But her dreams are an illusion, and as her relationship with Leo unfolds, it is Dante who will change all their lives forever.
A selection of books from our shelves.
Click through to find out more:
A puzzle, he said, noticing that I was attempting a rather easy and common sort of puzzle, one which I nonetheless was finding challenging, possibly due to the fact that he was observing me, a puzzle I was in any case doing only to fill in the time as I waited for him to stop talking, a puzzle is a poor sort of puzzle because everyone recognises it as a puzzle, he said, unlike language, which is a stronger sort of puzzle because it is not obvious whether it is a puzzle or not. I knew better than to ask him what he meant by this statement, partly because I didn’t really want to encourage him to deliver one of his long-winded explanations but mainly because I knew that once he had made a statement like that he would deliver one of his long-winded explanations whether he was asked to explain it or not; it seemed not to occur to him that any long-winded explanation delivered by him might not be received with the enthusiasm with which it was delivered. At least it was good to see him enthusiastic. He had just finished reading Rachel Cusk’s new novel, Parade, and was now, it seemed, ready to explain it to me, although not yet having finished it had not stopped him explaining it to me as he was reading it, or at least from frequently exclaiming about it in such a way that was not sufficiently coherent to pass as an explanation, not that his explanations were in themselves generally in any case coherent. Parade, he explained, splices a series of observations by a narrator who exists only as a gap in the text with a carousel of ‘biographical’ sketches of artists (fictional — all named ‘G’ — but often sharing qualities and trajectories with identifiable artists in the ‘real world’) to explore, distil, and complicate issues of narrative, character, gender politics (especially as transacted in the arts), the irreconcilable ambivalence of intergenerational relations (here he made that irritating gesture in the air with both hands about and throughout the phrase as if to indicate that if anybody were to transcribe the phrase they should put it in inverted commas (even though italics would be to my mind more appropriate)), the problem of subjectivity, and the performance of power and persona that both characterises and occludes collective life on both the intimate and societal scales, or so he said. Parade, he said, continued Cusk’s project of the ‘Outline Trilogy’, of withdrawing the narratorial involvement from the novel, sometimes perfecting an entirely non-participatory, characterless ‘we’, without assuming, or presuming, really, access to the minds of any of the characters other than as evidenced by their actions or their words. “To see without being seen: there was no better definition of the artist’s vocation,” he read suddenly from a place he had marked in the book. Cusk achieves a wonderfully clean and perfectly flat style, he said, achieving an impeccable neutrality, almost an anonymity, on the most passionate and involving subjects, reporting conversations without contributing to them, but from a near perspective, like the parent in the novel filming her child in the school play so closely and so exclusively that, at least in her representation of it, the play itself made no sense other than that contingent upon the performance of her child. “Pure perception that involves no interaction, no subjectivity, reveals the pathos of identity,” he read again, or had memorised, or was pretending to read or to have memorised in order to give his opinions more authority. There is no self, no absolute, no identity, no definitive, he shouted, I think now lost to his own metastasising speculations, at best only barely suppressed, no self, no absolute, no identity, no definitive other than as they exist in language! There are no persons, no characters, he said, and I think he was referring to our lived reality as much as to the book that he had read. It reminds me, he said, calming a little, of Nathalie Sarruate's Planetarium, in that persons are unimportant or are at least shown to be entirely constructed by phrases and thoughts and attitudes clustering together and adhering to each other, a phenomenon that is more the province of language than a property of any living actuality. Again, the impulses, motivations and attitudes that may or may not exist in the unconscious, so to call it, he said, or in the preconscious, and we cannot say anything about these states, which cannot be said even to be states because to do so would be to make them or at least their existence to some extent conscious, he claimed, these impulses, motivations and attitudes require and are also formed by the language that is used to express them in order to be expressed. Was he even making sense, I wondered, but he did not pause, seemingly untroubled by such a possibility. Cusk’s practice, kicking away the novelistic crutches, so to call them, he said, removing the distractions of plot, the illusions of character, or at least by demonstrating that plot is a distraction and character an illusion, helps us to see more clearly, to be both present and not present, both involved and uninvolved, both when reading a novel and when reading our own lives, for want of a better term to call them. Language contains the inclinations, he said, that we usually and by mistake apply to persons. I suppose that this is what he may have meant when he spoke of language being a puzzle of a stronger sort, but he did not give me a chance to ask him this. Undermining our expectations of cohesion on personal, artistic and societal levels, he continued, and with regard to the forms of what we think of as fiction, Parade provokes and enlivens the reader’s own literary faculties and makes them an active participant in this exercise of awareness and destabilisation. I exercised my concentration, finished my rather easy and common sort of puzzle, which at least was readily identifiable as a puzzle, and left the room despite his continuing explanation.
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If what you have been missing is more time reading books, or if you have been missing something but haven't realised yet that that something is more time reading books, winter is the perfect time to remedy this. We have the books, and we are here to give you whatever help you might need to get just the right ones.
26 July 2024
Chicanes by Clara Schulmann (translated from French by Naima Rashid, Natasha Lehrer, Lauren Elkin, Ruth Diver, Jessica Spivey, Jennifer Higgins, Clem Clement and Sophie Lewis)
Chicanes is a collection of short pieces about voice and women’s experience. Schulmann dips and pivots, captures, and lets fly. She delves into literature and classics, art and film, exploring how women use their voice and how they are used (or stigmatised) by their voice. Her digressions move against each other building questions and ideas under the chapter headings ‘On/Off’, ‘Breathing’, ‘Fatigue’, ‘Overflowing’, ‘Speed’, and ‘Irritation’. The essays and snippets are both personal and critical (feminist theory and art critique are bundled here nicely, without being too pointy-headed; in other words, you can take it as you find it or investigate further), angry, and amusing. Taking her watching (cinema) and reading (essays and fiction), Schulmann drives us, never in a straight line, so we can observe her thinking about voice — its physical, emotional and intellectual power — and its cultural significance. How are women through their voice portrayed in films? Are they mostly silent/ screaming/ husky or simpering? How do women use their voices to protest and complain about inequality? Is it subtle? A pointed yet subtle change in mode or a tirade of small irritations (no time, too many family demands, commonplace sexism at work)? There are so many ideas packed into these short pieces, and they point in further directions and diversions. She quotes writers and draws up a map by which we can navigate her thinking out loud — about voice and in voice. In French the title is Zizanies which translates as discord or disharmony. When we say the word ‘voice’ we are likely to think of harmony or articulation. Yet if we think about the idea of voice as Schulmann has in the context of gender, discord is more than appropriate. The English language title, Chicanes: a sharp double bend, likely with some obstacle; is an apt descriptor also. Interestingly, there are several translators (one for each section), each with their ‘own voice’ interpreting Clara Schulmann’s interpretations. This observation by the author of language and tone (voice) by other writers/artists and then in turn via interpretation gives readers in English another level of voice. And then, in turn, we use our voice in its imperfect way, to reflect our emotional and cultural condition. The book is immersive and curious in the best possible way.
The desire to understand must not be confused with the desire to know, especially in biography. Too often and too soon an accretion of facts obscures a subject, plastering detail over detail, obscuring the essential lineaments in the mistaken notion that we are approaching a definitive life. Such a life could not be understood. Instead a whittling is required, a paring from the mass of fact all but those details that cannot be separated from the subject, the details that make the subject that subject and not another, the details therefore that are the key to the inner life of the subject and the cause of all the extraneous details of which we are relieved the necessity of acquiring (unless we find we enjoy this as sport). Jaeggy, whose fictions remain as burrs in the mind long after the short time spent reading them, has here written three biographies, of Thomas De Quincey, John Keats and Marcel Schwob, each as brief and effective as a lightning strike and as memorable. Jaeggy is interested in discovering what it was about these figures that made them them and not someone else. By assembling details, quotes, sketches of situations, pin-sharp portraits of contemporaries, some of which, in a few words, will change the way you remember them, Jaeggy takes us close to the membrane, so to call it, that surrounds the known, the membrane that these writers were all intent on stretching, or constitutionally unable not to stretch, beyond which lay and lies madness and death, the constant themes of all Jaeggy’s attentions, and, for Jaeggy, the backdrop to, if not the object of, all creative striving. How memorably Jaeggy gives us sweet De Quincey’s bifurcation, by a mixture of inclination, reading and opium, from the world inhabited by others, his house a place of “paper storage, fragments of delirium eaten away by dust”, and poor Keats, whose “moods, vague and tentative, didn’t settle over him so much as hurry past like old breezes,” and Schwob, with his appetite for grief tracing and retracing the arcs of his friends’ deaths towards his own. These essays are so clean and sharp that light will refract within them long after you have ceased to read, drawing you back to read them again. Is the understanding you have gained of these writers something that belongs to them? Too bad, you will henceforth be unable to shake the belief that you have gained some access to their inner lives that has been otherwise denied.
“An expertly braided novel about the entanglement of personal and national transformations, set amid the tumult of 1980s Berlin. Kairos unfolds around a chaotic affair between Katharina, a 19-year-old woman, and Hans, a 53-year-old writer in East Berlin. Erpenbeck’s narrative prowess lies in her ability to show how momentous personal and historical turning points intersect, presented through exquisite prose that marries depth with clarity. She masterfully refracts generation-defining political developments through the lens of a devastating relationship, thus questioning the nature of destiny and agency. Kairos is a bracing philosophical inquiry into time, choice, and the forces of history.” — International Booker Prize judges' citation [Now in paperback!]
Jumping out of the carton and into your hands. Click through to our website to secure your copies:
Woman, Life, Freedom by Marjane Satrapi et al $65
Marjane Satrapi, author of Persepolis, returns to graphic art with this collaboration of over 20 activists, artists, journalists, and academics working together to depict the historic uprising, in solidarity with the Iranian people and in defense of feminism. On September 13th 2022, a young Iranian student, Mahsa Amini, was arrested by the religious police in Tehran. Her only crime was that she wasn't properly wearing the headscarf required for women by the Islamic Republic. At the police station, she was beaten so badly she had to be taken to the hospital, where she fell into a deep coma. She died three days later. A wave of protests soon spread through the whole country, and crowds adopted the slogan "Woman, Life, Freedom" — words that have been chanted around the world during solidarity rallies. In order to tell the story of this major revolution happening in her homeland, Marjane Satrapi has gathered together an array of journalists, activists, academics, artists, and writers from around the world to create this powerful collection of full-color, graphic-novel-style essays and perspectives that bear witness. Contributing artists: Joann Sfar, Coco, Mana Neyastani, Catel, Pascal Rabate, Patricia Bolanos, Paco Roca, Bahareh Akrami, Hippolyte, Shabnam Adiban, Lewis Trondheim, Winshluss, Touka Neyastani, Bee, Deloupy, Nicolas Wild, and Marjane Satrapi. 3 expert perspectives on Iran: long-time journalist for Libération and political scientist Jean-Pierre Perrin; researcher and Iran specialist Farid Vahid; and UC Berkeley historian Abbas Milani, Director of the Iranian Studies program at Stanford University. Woman, Life, Freedom demonstrates that this is not an unexpected movement, but a major uprising in a long history of women who have wanted to affirm their rights.
"A small miracle of lively, serious and joyful intelligence." —Elle (France)
"Each comic in this anthology might also function as a small lantern, an opportunity to illuminate yet another aspect of daily Iranian life and resistance under the current regime." —The Markaz Review
The Secret of Cooking: Recipes for an easier life in the kitchen by Bee Wilson $70
This excellent book, compiled from a lifetime’s experience of preparing, eating, thinking and writing about food, realigns even a sophisticated cook’s basic approaches and ingredients, and makes life in the kitchen simpler, more enjoyable, and always satisfyingly productive. The Secret of Cooking is packed with solutions for how to make life in the kitchen work better for you, whether you are cooking for yourself or for a crowd. Wilson shows you how to get a meal on the table when you're tired and stretched for time, how to season properly, cook onions (or not) and what equipment really helps. The 140 recipes are doable and delicious, filled with ideas for cooking ahead or cooking alone, and the kind of unfussy food that makes everyday life taste better.
”A lifetime of kitchen wisdom here.” —Nigel Slater
”A truly remarkable cookbook that will change lives.” —Rachel Roddy
”It's not often that a genuinely game-changing cook book comes out, but this accomplished, approachable and helpful book — its writing as nourishing as the recipes — is most definitely it. Quite frankly, there's not a kitchen that should be without a copy of The Secret of Cooking.” —Nigella Lawson
”There is wisdom, and notes from a lifetime of reading, thinking, cooking and eating here. And it's not just about food but about how we live, and how we look after ourselves and each other>” —Diana Henry
”The very acest book — so utterly lovely and so utterly necessary.” —Jeremy Lee
”Bee Wilson seems to help me in my moments of crisis — both when I'm struggling to find the right words and when I've got creative fatigue. The Secret of Cooking reminds us to cut ourselves some slack. Bee focuses on probability rather than possibility. The book is brimming with clever tips, handy shortcuts and substitutions, with 15 pages devoted to the versatile and underrated box grater (NB it really isn't just for cheese).” —Yotam Ottelenghi
”It is my Book of the Year, across any genre — packed to the absolute gills with invaluable advice, hints and tips, so reassuring and warm in tone that you feel actual love for the author, and, of course, also full of fantastic, achievable, home-kitchen friendly recipes that I guarantee will immediately become part of your repertoire.” —India Knight
”I don't need a lot of convincing to pick up a pan, but Wilson's tips are so clever, her recipes so tempting, and her vignettes of family life so candid, that this is a book I can read for pleasure alone.” —Niki Segnit
”This book is the perfect cooking companion and Bee Wilson is the ultimate kitchen friend: smart, funny, conscientious and patient, this is a book you'll want to spend time with, in and out of the kitchen.” —Itamar Srulovich and Sarit Packer
The Raven’s Eye Runaways by Claire Mabey $25
A gripping fantasy quest set in a parallel medieval world. Three friends and a one-eyed raven find themselves up against the rulers who restrict the gifts of writing and reading to an elite few. They must go on a wild and unpredictable rescue mission. Who and what will they meet along their way? And what is the terrible truth behind everything they think they know about their world?
”As delicate as it is potent, The Raven's Eye Runaways is a hot, pungent pot of tea. With every gulp, you'll be transported to a heady, haunting world where words are a currency reserved for the few, and paid with the price of spilled blood. A feverish love letter to the written word, I dare you to read it — you will be bewitched!” —Graci Kim
”Sparky and spooky, humorous and luminous.” —Elizabeth Knox
”I adored it.” —Rachel King
”A beautiful, warm and assured debut.” —Hera Lindsay Bird
”Claire Mabey writes like a dream.” —Anna Smaill
Marrow, And other stories by Sloane Hong $35
A collection of short comics by Sloane Hong, brought into print for the first time. Although varied in content, each story explores how we relate to each other and the world around us — through grief, love and our innate curiosity of the unknown. Plagued with intrigue and often unsettling, these gloriously stylish panels peel back layers of the human psyche, exposing them, throbbing and pulsating, for all to see.
Greek Lessons by Han Kang (translated from Korean by Deborah Smith and Emily Yae Won) $26
In a classroom in Seoul, a young woman watches her Greek language teacher at the blackboard. She tries to speak but has lost her voice. Her teacher finds himself drawn to the silent woman, for day by day he is losing his sight. Soon they discover a deeper pain binds them together. For her, in the space of just a few months, she has lost both her mother and the custody battle for her nine-year-old son. For him, it's the pain of growing up between Korea and Germany, being torn between two cultures and languages. Greek Lessons tells the story of two ordinary people brought together at a moment of private anguish — the fading light of a man losing his vision meeting the silence of a woman who has lost her language. Yet these are the very things that draw them to one another. Slowly the two discover a profound sense of unity — their voices intersecting with startling beauty, as they move from darkness to light, from silence to expression. Now in paperback.
”By turns love letter to and critique of language itself, Greek Lessons is a brief yet, in its concision and finesse, lapidary work. One of Han's most intimate works.” —Financial Times
”In Greek Lessons Kang reaches beyond the usual senses to translate the unspeakable. Han Kang turns the well-worn idea of the mind-body disconnect into something fresh and substantial.” —Los Angeles Times
”This novel is a celebration of the ineffable trust to be found in sharing language. Han is an astute chronicler of unusual, insubordinate women.” —The New York Times
”Han Kang is a writer like no other. In a few lines, she seems to traverse the entirety of human experience.” —Katie Kitamura
”Han Kang's vivid and at times violent storytelling will wake up even the most jaded of literary palates.” —Independent
Night of Power: The betrayal of the Middle East by Robert Fisk $50
Following The Great War for Civilisation, this posthumous volumes is a chronicle of Fisk's trademark rigorous journalism, historical analysis and eyewitness reporting. Fully immersed in the Middle East and skeptical of the West's ongoing interference, Fisk was committed to uncovering complex and uncomfortable truths that rarely featured on the traditional news agenda.
”Every sentence of Robert Fisk radiates his loathing of wars and the inevitable dehumanisation they produce, which makes his (sadly) last book an everlasting warning, beyond its value as a meticulous historical recount and analysis of today's events.” —Amira Hass, journalist, Haaretz
”In his attentive, careful, detailed, historically grounded reporting — and in this remarkable posthumous book, which deserves to be widely read — the voices of people demanding freedom are given space, recognition, and dignity. This is an exemplary and deeply human work of both journalism and history.” —Anthony Arnove
”Even after 20 years, we still don't know the full depths of the strategic bankruptcy and moral depravity of America's illegal invasion and occupation of Iraq. Legendary journalist Robert Fisk's Night of Power is essential reading to understand the full extent of the crime that was the Iraq war.” —Trita Parsi
Soldier Sailor by Claire Kilroy $28
Claire Kilroy takes readers deep inside the early days of motherhood. Exploring the clash of fierce love with a seismic shift in identity, Kilroy conjures the raw, tumultuous emotions of a new mother, as her marriage strains and she struggles with questions of equality, autonomy, and creativity. Soldier Sailor is a tale of boundless love and relentless battle, a bedtime story to a son, Sailor, recounting their early years together. Spending her days in baby groups, playgrounds, and supermarkets, Soldier doesn't know who she is anymore. She hardly sees her husband, who has taken to working late most nights. A chance encounter with a former colleague feels like a lifeline to the person she used to be but can hardly remember. Tender and harrowing, Kilroy's book portrays parenthood in all its agony and ardent joy.
"Oh this novel! Powerful beyond description. I read it in a day, holding my breath, heart bursting. This is essential reading for anyone who has ever felt swallowed alive by caring for a child, and essential reading for everyone who hasn't." —Barbara Kingsolver
"The most vivid account I've ever read of how difficult it is to cope with the demands of an infant. Through a prism of love and despair, Kilroy's narrator illuminates how a baby can tear away at a woman's sense of self, as her needs disintegrate in the face of her child's interminable demands.., if a woman chooses to devote herself to ensuring her child's wellbeing, then someone needs to take care of her too." —John Boyne
Mask by Sharrona Pearl $23
From the theater mask and masquerade to the masked criminal and the rise of facial recognition software, masks have long performed as an instrument for the protection and concealment of identity. Even as they conceal and protect, masks — as faces — are an extension of the self. At the same time, they are a part of material culture: what are masks made of? What traces do they leave behind? Acknowledging that that mask-wearing has become increasingly weaponised and politicised, Sharrona Pearl looks at the politics of the mask, exploring how identity itself is read on this object. By exploring who we do (and do not) seek to protect through different forms of masking, Sharrona Pearl's long history of masks helps us to better understand what it is we value.
”Masking is, as Sharrona Pearl wisely observes, a complicated enterprise: masks can protect and buffer even as they diminish, eviscerate, and lie. With a historian's rigor and a human's candor, Pearl addresses all of this and more. From public health to performance and ritual, Mask interrogates the personal, public, and inevitably paradoxical ways we both conceal and reveal our increasingly imperiled selves.” —Jessica Helfand
For Thy Great Pain Have Mercy on My Little Pain by Victoria MacKenzie $25
In the year of 1413, two women meet for the first time in the city of Norwich. Margery has left her fourteen children and husband behind to make her journey. Her visions of Christ which have long alienated her from her family and neighbours, and incurred her husband's abuse have placed her in danger with the men of the Church, who have begun to hound her as a heretic. Julian, an anchoress, has not left Norwich, nor the cell to which she has been confined, for twenty-three years. She has told no one of her own visions and knows that time is running out for her to do so. The two women have stories to tell one another. Stories about girlhood, motherhood, sickness, loss, doubt and belief; revelations more the powerful than the world is ready to hear. Their meeting will change everything. Vivid and humane, For Thy Great Pain Have Mercy On My Little Pain cracks history open to reveal the lives of two extraordinary women. New paperback edition.
”A tiny marvel, tenderly illuminating the inner lives of Margery Kempe and Julian of Norwich.” —Guardian
”Electrifying — This slim novel is a pocket epic; you will read it in no time but be thinking about it for ages after. You feel in every sentence the weight of history pressing down on and confining these women.” — Frank Cotterell-Boyce, Guardian
”A beautiful book. I loved it. Margery and Julian are both so alive. The invisible balancing and weighing MacKenzie has done across the whole to bring them dialogue with each other and to bring the reader into emotional and spiritual connectedness with them is just so brilliant. And it's funny. It warmed my heart.” —Max Porter
To the City: Life and death along the ancient walls of Istanbul by Alexander Christie-Miller $40
Caught between two seas and two continents, with a contested past and an imperiled future, Istanbul represents the precipitous moment civilizations around the world are currently facing. To the City seamlessly blends two narratives: the fears and hopes of the present-day inhabitants, and the story of Ottoman Sultan Mehmet II's siege and capture of the city in 1453. That event still looms large in Turkey, as Recep Tayyip Erdoğan like a latter-day sultan invokes its memory as part of his effort to transform Turkey in an echo of its imperial past. Istanbul stands at the centre of the most pressing challenges of our time. Environmental decay, rapacious development and a refugee crisis are straining the city to breaking point, while its civil society gutters in the face of resurgent authoritarianism. Yet, the city has endured despite centuries of instability. Christie-Miller introduces us to people who are experiencing the looming crisis and fighting back, sometimes triumphing despite the odds. Walking along the crumbling defensive walls of Istanbul and talking to those he passes, Christie-Miller finds a distillation of the country's history, a mirror of its present, and a shadow of its future.
”The author is a sensitive and patient presence, piecing together these stories over many pages. Spending time at a teahouse, an animal shelter and a former Dervish hall that is now an academic institution, he brings to life the rich variety of these neighbourhoods. While Christie-Miller's focus remains on the streets surrounding the walls, his characters offer broader insights into Turkey's social and political make-up. He is also sensitive to the poetry of his surroundings, captured in moments of lyrical precision.” —Financial Times
Father and Son: A memoir about family, the past, and mortality by Jonathan Raban $40
On 11 June 2011, three days short of his sixty-ninth birthday, Jonathan Raban suffered a stroke which left him unable to use the right side of his body. Learning to use a wheelchair in a rehab facility outside Seattle and resisting the ministrations of the nurses overseeing his recovery, Raban began to reflect upon the measure of his own life in the face of his own mortality. Together with the chronicle of his recovery is the extraordinary story of his parents' marriage, the early years of which were conducted by letter while his father fought in the Second World War.
”A beautiful, compelling memoir. Father and Son is an exquisite, sometimes lunatic tension between powerful emotions and carnage on one side, and on the other, the conventional codes of what must remain unsaid. This, Raban's final work, is a gorgeous achievement." —Ian McEwan
Inheritance: The evolutionary origins of the modern world by Harvey Whitehouse $40
Every human being is endowed with an inheritance. A set of ancient biases — forged by natural selection and fine-tuned by millennia of culture — that shape every facet of our behaviour. For countless generations, this inheritance has been taking us to ever greater heights — driving the rise of more sophisticated technologies, more organised religions, more expansive empires. But now, for the first time, it is failing us. Suddenly, we find ourselves on a path to destruction.Here, a leading anthropologist offers a sweeping account of how our inheritance has shaped humanity's past and future. Unveiling a pioneering new way of viewing our collective history — one that weaves together psychological experiments, on-the-ground fieldwork, and big data — Harvey Whitehouse introduces three evolved biases that shape human behaviour everywhere — conformism, religiosity, and tribalism. He recounts how our tools for managing these biases have catalysed the greatest transformations in human history — the birth of agriculture and the invention of kingship, the rise and fall of human sacrifice and the creation of the first crusading empires. And he takes readers deep into the modern-day tribes — from Indonesian terrorist cells to Libyan militias to American ad agencies — that show how our three biases are now spiralling out of control.Above all, he argues that only by understanding our ancient inheritance can we solve our thorniest modern problems, whether violent extremism, political polarisation or environmental catastrophe. The result is a powerful new perspective on the human journey; one that transforms our understanding of where we have been and where we are going.
”A bold and sweeping analysis that ranges widely through time, across geographies and through different kinds of human societies. A book of rare ambition and scope.” —Peter Frankopan
”A compelling, thoughtful, nuanced, and ultimately hopeful new perspective on our history, present crises, and future potential. This book is a masterpiece - important, thought-provoking, and great fun to read.” —Kate Fox
The Wrong Shoes by Tom Percival $22
There's a bunch of kids in there and suddenly they're all looking at me like someone who can actually do something, not just some weirdo with the wrong shoes and a rubbish coat . Will has the wrong shoes – he's always known it but doesn't know how to change it. Navigating the difficulties of home and school when you feel you stick out is tough, but finding confidence with the help and empathy of friends can be all you need to see the way. A sensitive exploration of the experience of child poverty.
”Reading fiction is about walking in the shoes of people whose lives are very different to ours and allowing more readers to see themselves in stories. The Wrong Shoes is the perfect example of both — the right book at the right time.” —Tom Palmer
Of Jade and Dragons by Amber Chen $23
Eighteen-year-old Aihui Ying dreams of becoming a brilliant engineer just like her beloved father - but her life is torn apart when she arrives a moment too late to stop his murder, and worse, lets the killer slip out of reach. Left with only a journal containing his greatest engineering secrets and a jade pendant snatched from the assassin, Ying vows to take revenge into her own hands.Disguised as her brother, Ying heads to the capital city, and discovers that the answer to finding who killed her father lies behind the walls of the prestigious Engineers Guild - the home of a past her father never wanted to talk about. With the help of an unlikely ally - Aogiya Ye-yang, a taciturn (but very handsome) young prince - Ying must navigate a world fraught with rules, challenges and politics she can barely grasp, let alone understand.But to survive, she must fight to stay one step ahead of everyone. And when faced with the choice between doing what's right and what's necessary, Ying will have to decide if her revenge is truly worthwhile, if it means going against everything her father stood for…
Newspaper by Maggie Messitt $23
Newspaper is about more than news printed on paper. It brings us inside our best and worst selves, from censorship and the intentional destruction of historic record, to partisan and white supremacist campaigns, to the story of an instrument that has been central to democracy and to holding the powerful to account. This is a 400-year history of a nearly-endangered object as seen by journalist Maggie Messitt in the two democratic nations she calls home — the United States and South Africa. The ‘first draft of history’, newspapers figure prominently through each movement and period of unrest in both nations — from the first colonial papers published by slave traders and an advocate for press freedom to those published on id cards, wallpaper, and folio sheets during civil wars. Offices were set on fire. Presses were pushed into bodies of water. Editors were run out of town. And journalists were arrested. Newspaper reflects on a tool that has been used to push down and to rise up, and a journey alongside the hidden lives that have harnessed its power.
Good Night, Belly Button by Lucie Brunellière $22
A delightful interactive board book! Baby is ready to sleep so it's time to say good night — all the way from toes to nose! With each new blanket-page longer than the previous one, the cosy check blanket gradually covers the baby's whole body. One by one, we say good night to little feet, little ankles, little knees... And what about you, little eyes — are you ready to close?
A selection of urgent and important books from our shelves.
Click through to find out more:
The Hundred Years’ War on Palestine
What does Israel Fear from Palestine?
Having an expert on hand in the kitchen is a bonus. If you don’t have a resident chef, you could try the next best thing: a cookbook about cooking and everything you need to know.
Food historian and home cook Bee Wilson brings us her first recipe book, The Secret of Cooking. And with the subtitle, ‘recipes for an easier life in the kitchen’, you feel at ease with Wilson straight away. With chapters on pots and pans, knives, the joys of the box grater — your essential tools, and getting the most from your ingredients, discovering what element is missing in your dish, and finding easy solutions, there is knowledge galore. Delving into her bank of food knowledge and drawing from some of her favourite food writers, this is not only informative but packed with recipes, from sauces to treats and everyday wonders, across a wide range of culinary styles. This excellent book, compiled from a lifetime’s experience of preparing, eating, thinking and writing about food, realigns even a sophisticated cook’s basic approaches and ingredients, and makes life in the kitchen simpler, more enjoyable, and always satisfyingly productive.
What the critics say: “Reading The Secret of Cooking is like sitting in a warm kitchen with an exceptionally articulate friend.” —Sarit Packer and Itamar Srulovich, authors of Honey & Co.
”A genuinely game-changing cookbook. There’s not a kitchen that should be without a copy” —Nigella Lawson
Enjoy simple cooking at its best with Jeremy Lee’s Cooking: Simply and Well, For One or Many. For everything that’s great about potatoes, aspargaus, and beans, for the love of food — whether it’s a pie or a hearty dish, smoked treats or restortaive soups — you will find something to love here. In Lee’s wonderful turn of phrase, childhood memories, cooking experiences and joyous explorations, the pages are alive with inspiration and musings. There’s a whole chapter on the potato, alongside one on salsify, and you can get to the heart of the matter with offal and nut it out with the walnut. This beautifully produced book is idosyncratic and bursting with food goodness.
What the critics say: “I worship Jeremy Lee. Not just the best cook, he’s also the jolliest, most joyous host, in person, and on the page.” —Olivia Laing
”Jeremy Lee is not only an expectional chef, but an exceptional write. One of the most beautiful cookery books I have ever seen.” —Rcahel Roddy
”Jeremy Lee masters the alchemy of food writing: insighful, witty, encouraging, patient, wise.” —Charlie Porter
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Find out what winter is for.
19 July 2024
I have most, if not all, of Ali Smith’s novels on my shelf. I’ve been reading her for twenty years plus some, because she’s brilliant. It’s seems an appropriate time to revisit her seasonal quartet, which starts with Autumn, heads through Winter , to Spring and Summer. So, in keeping with the temperature gauge, Winter lands us in a cold house where things have gone slightly awry, but like all seasons things will turn.
Ali Smith's Winter is dazzling. The second in her ‘Seasons’ quartet, draws richness out of desolation. Strangely, the novel opens with Sophia, lonely and retired, conversing with a detached head. Not too far along we meet Arthur, her son, who has just fallen out with his girlfriend Charlotte, who has accused him of being a fraud and politically disconnected. Charlotte, aggrieved by his uselessness, has drilled holes through his laptop, taken off and taken over his ‘art and nature’ blog, posting false and possibly libelous material. Arthur (Art as he is affectionately known to his family) has to travel to Cornwall to visit Sophia for Christmas, and he is meant to be arriving with Charlotte. In desperation, he finds a stand-in, Lux, who he pays a thousand pounds to pretend to be Charlotte for the long weekend. Arriving at Sophia's home, they find Sophia sitting huddled in layers of clothes in a cold house, not quite herself. Lux takes it upon herself to make Art contact Iris, his aunt. And here the novel starts to unfold. The fraught relationship between the sisters, one the seemingly conservative businesswoman, the other the 'wild child' activist who chained herself to the fence at Greenham Common, still protesting and aiding the disempowered. The conversations between the sisters reveal much to Arthur about his upbringing. Yet more is revealed to Lux, the stranger in the mix, who Sophia seems to trust. Lux is a recent migrant, studying English literature before she ran out of money and now making do with low-pay jobs and sleeping anywhere she isn’t noticed. Her brief interlude in this winter Christmas family tale is inspired - a catalyst for change. Ali Smith draws us in with cool, icy precision - Winter, like the season, is deep, dark and melancholic when we enter the novel - yet she gives us love and hope, and lets us see the green shoots waiting for the snow to melt. Like Autumn, Winter is a book about time and place, about now - refugees, fires in substandard towers - about what binds families and also what splits them asunder. Smith can take a simple series of events with a cast of few and tell us so much about ourselves, and the culture (art, literature, language) and choices that shape us. And she does it with intelligence, wit and style.
Winner of the Women’s Prize for Fiction Brotherless Night was described by the judges as ‘A powerful book that has the intimacy of memoir, the range and ambition of an epic, and tells a truly unforgettable story about the Sri Lankan civil war.’
It’s the story of sixteen-year-old Sashi who wants to become a doctor. But over the next decade, a vicious civil war tears through her home, and her dream spins off course as she sees her four beloved brothers and their friend K swept up in the mounting violence. Desperate to act, Sashi accepts K's invitation to work as a medic at a field hospital for the militant Tamil Tigers, who, following years of state discrimination and violence, are fighting for a separate homeland for Sri Lanka's Tamil minority. But after the Tigers murder one of her teachers and Indian peacekeepers arrive only to commit further atrocities, Sashi begins to question where she stands. She must ask herself — is it possible for anyone to move through life without doing harm?
With accolades from authors and star reviews from critics, along with taking home the prize from a very strong shortlist (iwhich included Isabella Hammad’s Enter Ghost and Anne Enright’s The Wren, The Wren) this is one to add to your pile of excellent reading.
‘A blazingly brilliant novel . . . With immense compassion and deep moral complexity, V. V. Ganeshananthan brings us an achingly moving portrait of a world full of turmoil, but one in which human connections and shared stories can teach us how-and as importantly, why-to survive.’ — Celeste Ng, New York Times
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“Who eats in a cage? Or with a caged mouth?” There is either writing or not-writing (even though not-writing may be as specific concerning what is not written as writing is concerning what is), and the dividing line between the two is not so much a wall as a cliff, an inequality more effective than a barrier. Anne Boyer’s collection of prose poems, Garments Against Women, is everywhere alert to the ways in which the world as experienced by those who live in it is riven by inequalities. Those who wield a power or who benefit from the wielding of that power have little perceptual overlap with those upon whom that power is wielded or who suffer from the wielding of that power, but, interestingly, the advantaged live in a world of more restricted truth, even though the disadvantaged may feel the effects of this restriction. This asymmetry acts as a constraint upon those to whom falls more heavily the burden of existing, “lives diminished by the arrangement of the world,” their time forced into objects and taken from them by what is termed an ‘economic system’. Boyer’s poems interrogate her relationship with objects, for instance the garments she sews or that she buys from thrift shops: “the fabric still contains the hours of the lives.” Can these hours have their value restored? For whose benefit have these hours been put into objects? If “writing is the manufacture of impossible desires,” can we write of or read of objects without involving ourselves in the mechanisms by which time is taken asymmetrically from workers? Is it possible for an object to not exist except as a vicarious object, “an object which exists only as it might exist to another”? Are all objects more vicarious than not? “I am the dog who can never be happy because I am imagining the unhappiness of other dogs,” writes Boyer. How it is possible to write, even to imagine writing, even if one had the time to write, without writing ‘garments’ that are designed by and are to the benefit of those who have confined ‘writing’ in the narrow world of their advantage? Whose roles must be challenged and overhauled? “I will soon write a long, sad book called A Woman Shopping", writes Boyer, an self-described “addict of denial”, in the poem ‘A Woman Shopping’. “It will be a book about what we are required to do and also a book about what we are hated for doing.” Everyone is smothered by their role: “If a woman has no purse we will imagine one for her.” “Everyone tries to figure out how to overcome the embarrassment of existing,” but the real struggle is “not between actor and actor. It’s between actors and the stage.” Boyer’s poems provide subtle and often surprising insights into the relationships between individuals and their roles, desires and scripts, personal and societal misfortunes, struggle and survival, despair and surprising joy. Can writing effect real change? “I thought to have a name was to become an object,” writes Boyer. “I thought I was a charlatan. I was mistaken. I was not a charlatan, I was a search term.”
Chose your new book from the newest of the new books:
All Fours by Miranda July $37
A semi-famous artist announces her plan to drive cross-country from LA to NY. Thirty minutes after leaving her husband and child at home, she spontaneously exits the freeway, beds down in a nondescript motel and immerses herself in a temporary reinvention that turns out to be the start of an entirely different journey. With July's wry voice, perfect comic timing, unabashed curiosity about human intimacy and palpable delight in pushing boundaries, All Fours tells the story of one woman's quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic and domestic life of a 45-year-old female artist, All Fours transcends expectations while excavating our beliefs about life lived as a woman. Once again, July hijacks the familiar and turns it into something new and thrilling.
“A giddy, bold, mind-blowing tour de force by one of our most important literary writers. Funny, honest, rich with the energy of the mind, All Fours will jump-start your relation to language and cause you to think anew about the nature of desire.” —George Saunders
”All Fours is profound and bawdy and deeply human, a brilliant work of art from a completely blown open and fearless mind.” —Emma Cline
Brotherless Night by V. V. Ganeshananthan $26
This tender and fierce novel set in the societal trauma of the Sri Lankan civil war has been awarded the 2024 Women’s Prize for Fiction. Sixteen-year-old Sashi wants to become a doctor. But over the next decade, as a vicious civil war subsumes Sri Lanka, her dream takes her on a different path as she watches those around her, including her four beloved brothers and their best friend, get swept up in violent political ideologies and their consequences. She must ask herself: is it possible for anyone to move through life without doing harm?
”V.V. Ganeshananthan's novel Brotherless Night reveals the moral nuances of violence, ever belied by black-and-white terminology.” —The New York Times
”A beautiful, brilliant book: tender and fierce as it is mournful. It is unafraid to look directly at the worst of the violence and erasure we have perpetrated or allowed to happen, but is insistent that we can still choose to be better.” —Danielle Evans
”With immense compassion and deep moral complexity, V. V. Ganeshananthan brings us an achingly moving portrait of individual and societal grief. "I want you to understand," the narrator of Brotherless Night insists, and by the end of this blazingly brilliant novel, we do: that in a world full of turmoil, human connections and shared stories can teach us how — and, as importantly, why — to survive.” —Celeste Ng
Mary and the Rabbit Dream by Noémi Kiss-Deáki $36
Mary Toft was just another eighteenth century woman living in poverty, misery and frequent pain. Mary Toft was the kind of person overlooked by those with power, forgotten by historians. Mary Toft was nothing. Until, that is, Mary Toft started giving birth to rabbits... In Mary and the Rabbit Dream, Noemi Kiss-Deaki reimagines Mary's strange and fascinating story — and how she found fame when a large swathe of England became convinced that she was the mother of rabbits. Mary and the Rabbit Dream is a story of bodily autonomy, of absurdity, of the horrors inflicted on women, of the cruel realities of poverty and the grotesque divides between rich and poor. It is a story told with exquisite wit, skill and a beautiful streak of subversive mischief.
“One of those novels that seemingly arrives from nowhere, fully-formed, as odd, disturbing and lingering as the most vivid of fever dreams. To create something so playfully provocative, subversive and gripping displays a rare literary talent. I’ve certainly never read anything like it.” —Benjamin Myers
“In Mary and the Rabbit Dream, Noémi Kiss-Deáki transforms the tale of Mary Toft into a stinging, witty critique of the oppressions heaped upon the bodies of impoverished women. This is a brave debut, one told with courage and wit, one which dissects a ruthless system of class and gender – and lays bare the concentric circles of power that still govern our world.” —Selby Wynn Schwartz
“Noémi Kiss-Deáki’s style is astonishing – hypnotic, poetic, persistent, wild, blazing and marvellous. As the novel unfolds you simply can’t believe what is happening – it’s outrageous, it’s cruel, it’s unfathomable and yet – it’s the way of the world. Here is Mary Toft’s tale, retold in dazzling prose that is both exquisite and furious. Noémi Kiss-Deáki reimagines the possibilities for historical fiction and Mary and the Rabbit Dream is utterly original and utterly brilliant." —Victoria Mackenzie
The Picnic: An escape to freedom and the collapse of the Iron Curtain by Matthew Longo $40
In August 1989, a group of Hungarian activists did the unthinkable- they entered the forbidden militarised zone of the Iron Curtain — and held a picnic. Word had spread of what was going to happen. On wisps of rumour, thousands of East German 'holiday-makers' had made their way to the border between Hungary and Austria and packed the nearby camping sites, awaiting an opportunity, fearing prison, surveilled by lurking Stasi agents. The highest state authorities were choosing to turn a blind eye — but that could change at any moment. The stage was set for the greatest border breach in Cold War history — that day hundreds would cross from the Communist East to the longed-for freedom of the West. The fall of the Berlin Wall, the end of the Soviet Union — the so-called end of history — all would flow from those dramatic hours. Drawing on dozens of original interviews with those involved — activists and border guards, escapees and secret police, as well as the last Communist prime minister of Hungary — Matthew Longo reconstructs not only this remarkable event but also its complex and bittersweet aftermath. Freedom had been won but parents had been abandoned and families divided. Love affairs faltered and new lives had to be built from scratch. The Picnic is the story of a moment when the tide of history turned. It shows how freedom can be both dream and disillusionment, and how all we take for granted can vanish in an instant.
Winner of the 2024 Orwell Prize for Political Writing (non-Fiction)
”Longo covers the Picnic at ground level, evoking the dramatic events in vivid colour. Anecdotes and impressions are woven through the historical narrative, providing an insight into how deeply this history still matters today. The chain of events in 1989 and its historical context are outlined with clarity and verve. The narrative is spiked with Longo's commentary and anecdotes from his trips, making The Picnic a deeply personal account of a fascinating milestone of Cold War history.” —Katja Hoyer, Telegraph
Choice by Neel Mukherjee $37
A publisher, who is at war with his industry and himself, embarks on a radical experiment in his own life and the lives of those connected to him; an academic exchanges one story for another after an accident brings a stranger into her life; and a family in rural India have their lives destroyed by a gift.
These three ingeniously linked but distinct narratives, each of which has devastating unintended consequences, form a breathtaking exploration of freedom, responsibility, and ethics. What happens when market values replace other notions of value and meaning? How do the choices we make affect our work, our relationships, and our place in the world? Neel Mukherjee's new novel exposes the myths of individual choice, and confronts our fundamental assumptions about economics, race, appropriation, and the tangled ethics of contemporary life. Choice is a scathing, compassionate quarrel with the world, a masterful inquiry into how we should live our lives, and how we should tell them.
”Choice is funny, horrible, ironic, damning, affecting and deadly serious.” —Financial Times
”In his dazzling new novel, Neel Mukherjee dissects how economics rules our lives and impoverishes our souls. Choice is by turns comic, lyrical and heartbreaking. It burns brightly with fierce intelligence, with wisdom and compassion, and achieves what so few novels even attempt: it makes the reader think deeply about how we've come to live this way, at what cost, and about those who pay the greatest price.” —Monica Ali
”In each panel of this masterful triptych exquisite prose gradually crescendos to jaw-dropping revelations. Possessed of great moral seriousness, Choice is also very funny in its satirical excoriation of the obsession with calculating life in purely economic terms in so many realms of contemporary life. It is, in short, a deeply human novel, and a humane one. We come to realize that a human life is not simply the result of rational choices but rather, as Mukherjee puts it, the lull between them — a rich and swaying lull, thick with love and responsibility.” —Namwali Serpell
A Body Made of Glass: A history of hypochondria by Caroline Crampton $40
"There is a twilight zone between illness and health, and that's where I dwell." An ache, a pain, a mysterious lump, a strange sensation in some part of your body, the feeling that something is not right. The fear that something is, in fact, very wrong. These could be symptoms of illness. But they could also be the symptoms of hypochondria — an enigmatic condition that might be physiological or psychological or both. Caroline Crampton tells the story of hypochondria, beginning in the age of Hippocrates and taking us right through to the wellness industry today. Along the way, we encounter successive generations of doctors positing new theories, as well as quacks selling spurious cure-alls to the desperate. And we meet those who have suffered with conditions both real and imagined, including Moliere, Darwin, Woolf, Freud, Larkin, and Proust (whose symptoms and sensitivities gradually narrowed his life to the space of his cork-lined bedroom). Crampton also examines the gendered nature of the medical response, the financial and social factors at play, and the ways in which modern technology simultaneously feeds our fears and holds out the promise of relief. Drawing on Crampton's own experience of surviving a life-threatening disease only to find herself beset by almost constant anxiety about her health, A Body Made of Glass explores part of the landscape of illness that most memoirs don't reach: the territory beyond survival or cure, where body and mind seem locked in a strange and exhausting kind of dance. The result is both a fascinating cultural history of hypochondria and a moving account of what it means to live with this invisible, elusive and increasingly wide-spread condition.
”Clarity and beauty combine with terror and dark comedy — essential reading for everyone who has a body.” —Lucy Worsley
”A thoughtful and touching examination of what it means to be well. Crampton's unflinching honesty and skill with words make for a tender and often heart-breaking history of medicine. Every medical professional should read this book.” —Subhadra Das
Vertigo: The rise and fall of Weimar Germany, 1918—1933 by Harald Jähner $40
Germany, 1918 — a country in flux. The First World War is lost, traditional values are shaken to their core, revolution is afoot and the victory of democracy beckons. Everything must change with the times. The country is abuzz with talk of the 'new woman', the 'new man', 'new living' and 'new thinking'. What follows is the establishment of the Weimar Republic, an economic crisis and the transformation of Germany. A triumphant procession of liberated lifestyles emerges. Women conquer the racetracks and tennis courts, go out alone in the evenings, cut their hair short and cast the idea of marriage aside. Unisex style comes into fashion, androgynous and experimental. People revel in the discovery of leisure, filling up boxing halls, dance palaces and the hotspots of the New Age, embracing the department stores' promise of happiness and accepting the streets as a place of fierce battles. So much of this short burst of life between the wars seems amazingly modern today, including, amidst a frenzy of change, the backlash from those who did not see themselves reflected in this new culture. Little by little, deep divisions in society began to emerge. Divisions that would have devastating consequences, altering the course of the twentieth century and the lives of millions around the world.
”Vertigo is outstanding. Harald Jahner's gift for illuminating the big picture with telling detail gives the reader an uncanny sense of what it was actually like to be present in Germany during the Weimar Republic. This is history at its very best.” —Julia Boyd
Analogue: A field guide by Deyan Sudjic $70
Covering sound, vision, communication and information, Analogue: A Field Guide is an evocative trip through an era of innovative design, profiling 250 classic objects from radios to turntables, TVs to cameras, and typewriters to telephones. Along the way, it surveys all the iconic brands as well as the technological developments that have made these devices possible. There is a growing nostalgia for physical, real-world interaction with design and technology and a desire to reconnect with both things and people, something that has been eroded by the digital revolution. The wide-ranging approach of this book enables it to show the deeper cultural and social significance of the analogue era, with the authority to convince those who know a lot about each category and the breadth to attract the non-specialist. Ideal for those nostalgic for physical media, as well as those who collect, use and maintain these older technologies. Impressive.
The Hole by Hiroko Oyamada (translated from Japanese by David Boyd) $30
Asa's husband is transferring jobs, and his new office is located near his family's home in the countryside. During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time. One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole — a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.
”A great book.” —Patti Smith
”Surreal and mesmerizing.” —New York Times
Enter Ghost by Isabella Hammad $26
After years away from her family's homeland, and reeling from a disastrous love affair, actress Sonia Nasir returns to Haifa to visit her older sister Haneen. On her arrival, she finds her relationship to Palestine is fragile, both bone-deep and new. When Sonia meets the charismatic Mariam, a local director, she joins a production of Hamlet in the West Bank. Soon, Sonia is rehearsing with a dedicated, if competitive, group of men — yet as opening night draws closer, it becomes clear just how many obstacles stand before the troupe. Amidst it all, the life she once knew starts to give way to the exhilarating possibility of finding a new self in her ancestral home. New papernack edition.
”Enter Ghost retells Hamlet for now, dropping its readers deep into the contemporary tensions of the West Bank, asking crucial and layered questions. Hammad is a calm and vital storyteller, a writer of real rhythmic grace.” —Ali Smith
”How can a production of Hamlet in the West Bank resonate with the residents’ existential issues? Enter Ghost is a beautiful, profound meditation on the role of art in our society and our lives.” —Monica Ali
”Beautifully written, poignant yet forceful, thoughtful and thought provoking, but above all challenging the reader to respond to the question facing the characters in the novel: how to live under occupation while preserving your dignity and humanity? Hammad answers this question through taking us into the hearts and minds of the characters in the novel and through that into the heart and mind of Palestine.” —Azar Nafisi
The King’s Witches by Kate Foster $38
Denmark, 1589. Princess Anne is betrothed to King James VI of Scotland — a geo-political royal marriage designed to forever unite the two countries. But first, she must pass the trial period: one year of marriage in which she must prove herself worthy of being Scotland's new Queen. If the King and the Scottish royal court find her wanting, she faces disgraced and permanent exile. Determined to fulfil her duties to King and country, Anne resolves to be the perfect royal bride. Until she meets Lord Henry. By her side is Kirsten, her loyal and pious lady's maid. But whilst tending to Anne's every need, she has her own motives for the royal marriage to be a success . . . On the other side of the border in North Berwick, a young housemaid by the name of Jura is dreaming of a new life. With an abusive master and a soured relationship with a young farmer's son, she secretly practises the charms taught to her by her mother. When the tension reaches breaking point, Jura makes a run for it: to Edinburgh. But it isn't long before she finds herself caught up in the witchcraft mania that has gripped the capital, and her freedom and her future are on the line. Will Anne, Kirsten and Jura be able to save each other, and in doing so save themselves?
A Woman in the Polar Night by Christiane Ritter (translated from German by Jane Degras) $33
In 1934, the painter Christiane Ritter leaves her comfortable life in Austria and travels to the remote Arctic island of Spitsbergen, to spend a year there with her husband. She thinks it will be a relaxing trip, a chance to 'read thick books in the remote quiet and, not least, sleep to my heart's content', but when Christiane arrives she is shocked to realise that they are to live in a tiny ramshackle hut on the shores of a lonely fjord, hundreds of miles from the nearest settlement, battling the elements every day, just to survive. At first, Christiane is horrified by the freezing cold, the bleak landscape the lack of equipment and supplies... But as time passes, after encounters with bears and seals, long treks over the ice and months on end of perpetual night, she finds herself falling in love with the Arctic's harsh, otherworldly beauty, gaining a great sense of inner peace and a new appreciation for life. New edition.
The Dream Factory by Steph Matuku, illustrated by Zak Ātea Komene $22
An amazing building rises on the edge of town — it's the dream factory. Every night, it sends out magical mist. Flying cars, flower cakes and talking tigers fill people's dreams. And the next day, the people make those dreams come true. But when a kereru flies into the dream factory, and a feather floats into a cog, everything goes terribly wrong.
The Further Adventures of Miss Petitfour by Anne Michaels, illustrated by Emma Block $23
Miss Petitfour enjoys having adventures that are 'just the right size' for a 'single, magical day’. With her sixteen cats and the aid of a tablecloth as a makeshift balloon, Miss Petitfour soars — which is to say, she rises high in the air and flies — over her charmingly eccentric village, encountering adventures along the way. One never knows where the wind will take her in this delightfully seasonal collection of magical outings: perhaps to the aid of dearly loved friends and neighbours, including a hapless handyman and an onion-loving baby, or to a coconut-confetti parade, or in search of keys, lucky charms or even simply the perfect tablecloth for her next flight. A witty, whimsical, beautifully illustrated collection of tales that celebrate language, storytelling and all the pleasures of life, large and small.
Birds Aren't Real: The true story of mass avian murder and the largest surveillance campaign in U.S. history by Peter McIndoe and Connor Gaydos $35
Have you ever seen a baby pigeon? You haven't, have you? No one has, not in many, many years. They used to be everywhere. That's because they come out of the factory as adults. In the 1970s, the United States government killed off the entire bird population and replaced them with robotic bird replicas that are used for mass surveillance. Bird drones that recharge on power lines and leave 'liquid tracking devices' on your car are omnipresent while the American people live in blissful ignorance. Until now. In Birds Aren't Real, whistleblowers Peter McIndoe and Connor Gaydos trace the roots of a political conspiracy so vast and well-hidden that it almost seems like an elaborate hoax. These hero Bird Truthers have risked life and limb to spread the word, to free America and prevent other countries' governments from enacting a similar scheme.
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12 July 2024
A team of astronauts in the International Space Station collect meteorological data, conduct scientific experiments and test the limits of the human body. But mostly they observe. Together they watch their silent blue planet, circling it sixteen times, spinning past continents and cycling through seasons, taking in glaciers and deserts, the peaks of mountains and the swells of oceans. Endless shows of spectacular beauty witnessed in a single day. Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home. They look on as a typhoon gathers over an island and people they love, in awe of its magnificence and fearful of its destruction. The fragility of human life fills their conversations, their fears, their dreams. So far from earth, they have never felt more part — or protective — of it. They begin to ask, what is life without earth? What is earth without humanity?
The background in a painting of Pierre Bonnard often assumes more importance than the foreground, overwhelming the subject with the force of greater light and colour. Bonnard’s work, according to critic Roberta Smith, is remarkable for “the heat of mixed emotions, rubbed into smoothness, shrouded in chromatic veils and intensified by unexpected spatial conundrums and by elusive, uneasy figures.” Gabriel Josipovici’s subtle, disconcerting and remarkable novel, Contre-Jour: A triptych after Pierre Bonnard, is written in a similar way, against the light, a work of obsessive background that at once conceals and reveals its subject. The first and longest of the three sections of the novel is addressed bitterly by a young woman to her estranged mother, lamenting that she was forced to leave the family house, pushed out of the all-consuming relationship between her mother and her father, an artist who obsessively works to turn life into art, making him a passive but controlling observer, sketching and painting everything around him and draining them of autonomy and meaning. “‘Nothing stands still, nothing opens itself to our gaze but always retreats, vanishes, turns into something else,’” the daughter reads in her father’s notebook. The daughter returns again and again to the moment when she realised her exclusion from her parents’ relationship, when, as a child, she came into the bathroom where her mother was lying in the bath and noticed her father in the corner sketching, excluding her by his gaze. “Though your eyes are open,” she accuses her mother, “ and you must have seen me, you did not react to my presence. But perhaps you didn’t see me. Perhaps it is only in my memory that your eyes are open.” In one moment, which was no different perhaps from many other moments (incidentally, Bonnard repeatedly painted his wife Marthe de Méligny in the bath after they moved from Paris to the south of France in 1939 and before her death in 1942), in a moment that was merely an iteration of an obsessively repeated super-moment, the daughter realises that “it was not possible for the three of us to be together.” Could this moment, so like so many other moments, have been different? “Should a word have been said then, by me, by you, by him, which, unsaid, made all speech between us impossible ever after?” The gaze that binds her parents into the relationship from which art is produced, the relationship that excludes all else, is the gaze that nullifies the daughter. “And do you know what that made me feel? Not just that I was not wanted, but that I did not exist, I had never existed and I would never exist.” The words come “as if I had nothing to do with the words I speak to you. As if there were not spoken by me but to me or at me or in me. In my head. In my mouth. Wherever it is that words resound. In some space or place where words resound.” The daughter realises that the gaze simultaneously sustains and nullifies its object, her mother, and that the mother’s complicity in the obsessively visual relationship was a way of destroying both herself and monopolising her husband. “When you turned your face to the wall and cried he sat there in the corner sketching.” Obsession defers depression. “What you wanted, I think, as time went by, was to disappear entirely, to efface yourself from his presence. There was something that was killing you in his even-handed depiction of everything around him.” The second section of the novel is addressed by the mother to the daughter, whom she blames for their estrangement, and with whom she has many times attempted contact. “I have written you letters and posted them at the corner of the street. Why do you never reply?” The mother is stricken by the impossibility of a relationship with her daughter, impossibility within herself as much as in the daughter or the situation: “Where does it come from, this love one is supposed to give?” In the same way that the father has written in his notebook, of his art, “I want my people to be bathed in time as the impressionists bathed them in light,” the novel shows its characters overwhelmed by the temporal medium in which everything takes place, and the characters are depicted not so much against light (contre-jour) as against time (contre-temps). “You wake up and things have changed but you know that things have been changing for a long time,” the mother says. Despite the capturing of moments (“When he is not sketching me I wonder if I am really there.”), or perhaps because of this, time is always the overwhelming, unresolvable problem. “‘How to paint what happens when nothing happens?’ he used to say. I knew what he meant,” the mother says. “Nothing happens and nothing happens and nothing happens and all of a sudden there is a whole life gone and you realise that all those nothings were in fact everything.” The mother tells of a visit to her daughter’s apartment, which went so improbably well that we begin to suspect what is eventually manifestly the truth: the daughter does not exist and has never existed. The daughter is the delusional creation of the ‘mother’, but a creation that cannot receive or return love. “Oh my daughter. Whom I never had. For whom I longed. … If I had had you all the world would have been different. Even if things had been bad between us. It would have been different if I had had a daughter. Not this great emptiness. This great silence.” Reality, without the daughter, is intolerable, and, towards the end, we learn of the reason for the move from Paris to the countryside, and for the seemingly obsessive attention given by the artist to his subject: “Why could we not go on living in a fourth floor flat? Because of the animals? No. Because I tried to jump out of the window.” The daughter, the voice of the daughter, the daughter who exists only as a voice, the voice of the entire first section of the novel (the voice who said, “I had never existed and I would never exist. … I have nothing to do with the words I speak to you. As if there were not spoken by me but to me or at me or in me. In my head. In my mouth. Wherever it is that words resound,” &c), is a product entirely of the ‘mother’s’ mind, just as it is, in turn, a product, along with the ‘mother’s’ voice, of the author’s mind (and, by extension, of the reader’s mind). If the daughter exists, to the extent that she exists, and it cannot be said that she does not exist, in the way that all fiction exists, for the saddest of reasons in the mother’s mind, what does this tell us about the author’s mind (and, by extension, the reader’s mind)? What does this tell us about the mental operations that, when not overwhelming our sanity, we call fiction? The third and last section of the novel is a very short, sad and straightforward letter from the artist informing a friend of his wife’s death. It constitutes the only ‘objective’ element in the novel.