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13 September 2024
Love her or hate her, you will enjoy Sadie! Sadie Smith (not her real name) is undercover. She’s out to find the dirt on the eco-radicals; and if she can’t find some, she’ll get creative. In a small remote village, the Moulinards’ commune on a scrappy piece of land, overseen by the charismatic Pascal (ex-Paris, wealthy lad living it rough and oldest friend to Sadie’s hapless ‘boyfriend’ loser film-maker Lucien). Pascal, along with his selected idealistic brotherhood are hanging on the words of modern day hermit Bruno Lacombe. Bruno lives in a cave and emails the group his missives on human history, the superiority of the Neanderthal, the earth’s vibrations, and other intellectual musings of a madman and a sage. The concerns of the local farmers and the newly arrived eco-radicals are the same. Industry is moving in with its pumping of water and singular crop fixation. There have been isolated incidents of sabotage. And Sadie’s boss wants the commune gone. Sadie's job is to get inside and find out what they will do next. And if there is no to-do list, entice some action. Sadie arrives into a dry hot summer in her little white rental, enough alcohol to keep cool and then some, and is ‘waiting’ for Lucien on his family’s estate — a rundown dwelling now rigged up with sensors, high speed internet and other spy gadgetry. Sadie’s reading Bruno’s emails, but not getting a lot of information about a plot to take out the new infrastructure. What she is getting is a fascination for Bruno and his sideways take on humanity. She’s ready to meet Pascal and gain his trust. It helps, or so Sadie wants us to believe, that she is gorgeous. She easily gains his trust, more to do with her set-up relation with Lucien than anything she particularly does, and Pascal’s never ending ability to mansplain. The women at the commune have different ideas about their assigned roles, more akin to the old patriarchy than new ideas. It doesn’t take Sadie long to get offside with them. She’ll have to be more careful to avoid their ire and their mistrust. So what is Rachel Kushner up to here? In Creation Lake, she’s pointing a very cynical finger at our attempts to save ourselves. Here comes corruption and ego in several guises, here is the power of ideas that can alter lives, here come belief systems that fall flat, and there go the Neanderthals walking with us still (according to Bruno), and here is the biggest fraud of the lot: Sadie Smith, who will be unequivocally changed by her encounter with the Moulinards and Bruno Lacombe. This is a clever, funny book with an unreliable (and unlikeable) narrator at its centre, with ideas leaping from the absurd to the strangely believable, and a cast of characters who get to walk on to the stage and play their bit parts to perfection, with references to ‘types’ as well as particular possibly recognisable individuals. Creation Lake deals with big issues — the climate, politics, industry, and power — with a playfulness and Intelligence that ricochet much like the bullets in Sadie’s guns. It encompasses ideas about where we came from and where we might be going with wry wit but also a serious nod to our current dilemmas. It’s not all doom, and Kushner may be giving us the opportunity to leave our hermit caves and look up. Although this may be a riff on the riff. And cynicism may be the winner after all — unless radical social change can capture Sadie's imagination at 4am. You’ll have to decide.
“Art is always an overreaction,” writes Yoko Tawada in her compact, slippery novel Paul Celan and the Trans-Tibetan Angel (translated from German by Susan Bernofsky); this statement being in itself an overstatement, as all statements are overstatements. Did we not learn at school, he pondered, that every overreaction provokes an equal and opposite overreaction, that the impact of each overstatement causes another overstatement to leap out at the end of the line, and so forth back and forth until the Newton’s cradle of the mind is finally still if it ever can be still. Does any movement towards certainty destroy the very certainty towards which it moves? Is that for which we reach inevitably destroyed by the reaching? This is no way to start a review, he thought; in his search for clarity he has produced a wash of vague sensations barely distinguishable from life itself, so to call it, a fractality of precisions more complicated than disorder; what is literature for, after all, if not to make life more wieldable, or our thinking about it more wieldable at least? No such luck. If the words for things can be used as substitutes for things, they are subject to linguistic forces and relations to which the things themselves are not subject. There’s an illness in all of this, a linguistic illness, or an illness of consciousness, that blurs, ultimately, or penultimately, or by something preceding the penultimate by one or several or many steps, the distinctions between words and their objects and between words and other words, a blurring that allows for or entails the febrile reconfiguration of language into new forms, he was going to write new and less useful forms, but the utility of language is no measure of its other functions (its other pathologies, he almost wrote). The narrator of Tawada’s novel refers to himself as ‘the patient’ and refers to himself in the third person (“third person is a form of salvation” (as we know)) and gives an account of the stayings-in and goings-out that are constrained by the vagaries of his illness and the vagaries of the illness of the world at large, if these are not one and the same: “The patient leaves the house as seldom as possible, and every time he is forced to go out, he first checks to see if the coast is clear. The coast is seldom clear, hardly ever.” If he ever does go out. He meets and befriends one Leo-Eric Fu, who shares with Patrik (Patrik is the name attached by others to the one who calls himself the patient; the patient's name as he approaches the collective world (plausibly a kind of healing (“A person who can continue to distance himself from home, one step farther each day, is no longer a patient.”))) a love and knowledge of the work of Paul Celan, a poet who made from German, a language broken by the trauma of hosting the Holocaust, a new language of beauty and possibility made entirely of the marked, traumatised and broken pieces of that language, and with whose work this novel is a form of conversation (please note that it is not necessary to the appreciation of the novel to be familiar with the other pole of that conversation, though the novel may lead a reader towards that pole). For the patient it is, we assume from the deliberately inconclusive evidence, the trauma of the Covid 19 pandemic that has broken language, either because of the collective circumstances in which he finds himself or also because he himself is actually in addition to metaphorically ill. I am not unfamiliar, he thought, as he attempted to continue with what was intended as a review but was suffering from an illness which made it both not really a review and very hard to sustain, with the linguistic deliria induced by fever, with the disintegrative and recombinatory compulsions that reveal something about language and are in fact structurally inherent in language but usually suppressed for reasons of utility or ‘health’. Any illness will remake language, given the chance to spread. In the delirium of the novel, the patient’s illness (“an autoimmune disorder of the mind”) attacks the distinctions between the binaries it posits: isolation/connection, illness/health, internal/external, uncertainty/comprehension, experience/identity; and attacks all borders generally: those between persons individually and those set between groups and nations. There are no contradictions. “People say I'm sick because I can simultaneously leave the house and stay home.” The forms of thought that gave rise to the illness, whatever it is, are broken and remade: “I prefer a not-yet-knowing or a no-longer-knowing to actual knowledge. These are the fields in which I'll find my role.” It is possible, even probable, he thought, that the entire book takes place within the patient’s head, if such a place exists (“What if Leo-Eric isn't really sitting here and this is all just taking place in my imagination?”), although, towards the end, the Patrik-impulse begins to gain a little ground from the patient-impulse, and the possibility that the idea of Patrik and also the ideas of Patrik could exist in the minds of others begins at last to emerge. Language, ravaged by trauma and isolation, begins to adopt new forms. Is this healing? Illness, we begin to see, is entangled in time: “The present is a constant deferment.”
The recently published Sight Lines: Women and Art in Aotearoa is an outstanding publication. Beautifully produced and thought-provoking, Sight Lines is a bold new account of art-making in Aotearoa through 35 extraordinary women artists. From ancient whatu kakahu to contemporary installation art, Frances Hodgkins to Merata Mita, Fiona Clark to Mataaho Collective, Sight Lines tells the story of art made by women in Aotearoa. Gathered here are painters, photographers, performers, sculptors, weavers, textile artists, poets and activists. They have worked individually, collaboratively and in collectives. They have defied restrictive definitions of what art should be and what it can do. Their stories and their work enable us to ask new questions of art history in Aotearoa.
How have tangata whenua and tangata tiriti artists negotiated their relationships to each other, and to this place? How have women used their art-making to explore their relationships to land and water, family and community, politics and the nation? With more than 150 striking images, and essays by Chloe Cull, Ngarino Ellis, Ioana Gordon-Smith, Rangimarie Sophie Jolley, Lana Lopesi, Hanahiva Rose, Huhana Smith, Megan Tamati-Quennell, alongside Kirsty Baker, Sight Lines is waiting for a place on your art library shelf.
“An exceptional book. Thoughtfully conceived, well written, timely and significant. It manages to be both scholarly – informed by the state of art writing in the present – and accessible to a general readership interested in art, women and feminism in Aotearoa.” — Peter Brunt, Victoria University of Wellington—Te Herenga Waka
The books you buy today will bloom in Spring.
Click through for your copies:
Titiro / Look by Gavin Bishop $25
A completely delightful ‘first words’ board book, with details of the appealing bold pictures labelled both in te reo Māori and English.
Edith Collier: Early New Zealand Modernist by Jill Trevelyan, Jennifer Taylor, and Greg Donson $70
A century on, her remarkable body of work remains fresh and contemporary. Featuring over 150 artworks, this book examines the continuing impact of Whanganui-born and British-trained Edith Collier and her artistic legacy. Collier was a dynamic Modernist, and the story of her years in Europe and then her return to New Zealand and the near abandonment of her practice are compelling as both art history and an affecting human story.
Leslie Adkin: farmer photographer by Athol McCredie $70
Leslie Adkin (1888-1964) was a Levin farmer, photographer, geologist, ethnologist and explorer, a gifted amateur and renaissance man, of sorts, who used photography to document his scholarly interests, farming activities and family life. His much loved and exceptionally beautiful photographs taken between 1900 and the 1930s are one of the highlights of Te Papa's historical photography collection. This book of over 150 images, selected by Athol McCredie, Curator Photography at Te Papa, establishes his reputation more clearly within the development of photography in New Zealand and showcases a remarkable body of work. McCredie's substantial text gives rich insights into the varied elements of Adkin's very busy life, including his love for his wife Maud, captured over the years in a range of intimate and engaging images which feel as fresh as when they were first taken.
Resetting the Co-ordinates: An anthology of performance art in Aotearoa New Zealand edited by Chris Braddock, Ioana Gordon-Smith, Layne Waerea, and Victoria Wynne-Jones $70
The first anthology/reader of performance art of Aotearoa New Zealand, Resetting the Coordinates offers a lively, 50-year critical survey of Aotearoa New Zealand's globally unique performance art scene. From the post-object and performance art of the late 1960s to the rich vein of Maori and Pacific performance art from the early 1990s, its 18 chapters by researchers and practitioners is a major reference for art and performance communities of New Zealand, Australia and further afield. It discusses the influential work of Jim Allen, Phil Dadson, Peter Roche and Linda Buis, performance art initiatives in post-earthquake Christchurch and queer performance art, among many other topics.
After a Dance: Selected stories by Bridget O’Connor $38
Bridget O'Connor was one of the great short story writers of her generation. She had a voice that was viscerally funny and an eye for both the glaring reality and the absurdity of the everyday. In After a Dance, we meet a selection of O'Connor's most memorable characters often living on the margin of their own lives: from the anonymous thief set on an unusual prize to the hungover best man clinging to what he's lost, to the unrepentant gold-digger who always comes out on top. From unravelling narcissists to melancholy romantics all human life is here — at its best and at its delightful worst.
”These are some of the wildest, arresting, just plain brilliant short stories I've read in a long time.” —Roddy Doyle
”Every O'Connor story is a performance, a live fight with time and decay, disgust and the human body. She wrote intensely from her time and place; to read her now is to be catapulted back to 1990s London. Yet the voice, the themes are more relevant than ever. No wonder she was so preoccupied with temporality: she was before her time.” —Martina Evans, The Irish Times
Stories of Your Life and Others by Ted Chiang $25
Chiang deftly blends human emotion and scientific rationalism in eight remarkably varied stories. From a soaring Babylonian tower that connects a flat Earth to the firmament above, to a world where angelic visitations are a wondrous and terrifying part of everyday life; from a neural modification that eliminates the appeal of physical beauty, to an alien language that challenges our very perception of time and reality, Chiang's unique imagination invites us to question our understanding of the universe and our place in it.
“United by a humane intelligence that speaks very directly to the reader, and makes us experience each story with immediacy and Chiang's calm passion.” —China Miéville
”A science fiction genius. Ted Chiang is a superstar.” —The Guardian
We’ll Prescribe You a Cat by Syou Ishida (translated from Japanese by E. Madison Shimoda) $36
On the top floor of an old building at the end of a cobbled alley in Kyoto lies the Kokoro Clinic for the Soul. Only a select few — those who feel genuine emotional pain — can find it. The mysterious centre offers a unique treatment for its troubled patients: it prescribes cats as medication. Get ready to fall in love:-—Bee, an eight-year-old female, mixed breed helps a disheartened businessman as he finds unexpected joy in physical labour; —Margot, muscly like a lightweight boxer, helps a middle-aged callcentre worker stay relevant; —Koyuki, an exquisite white cat brings closure to a mother troubled by the memory of the rescue kitten she was forced to abandon; —Tank and Tangerine bring peace to a hardened fashion designer, as she learns to be kinder to herself; —Mimita, the Scottish Fold kitten helps a broken-hearted Geisha to stop blaming herself for the cat she once lost. As the clinic's patients seek inner peace, their feline friends lead them towards healing, self-discovery and newfound hope. [Hardback]
Dogs and Monsters by Mark Haddon $38
Haddon weaves ancient myths and fables into fresh and unexpected forms, and forges new legends to sit alongside them. The myth of the Minotaur in his labyrinth is turned into a wrenching parable of maternal love — and of the monstrosities of patriarchy. The lover of a goddess, Tithonus, is gifted eternal life but without eternal youth. Actaeon, changed into a stag after glimpsing the naked Diana and torn to pieces by his hunting dogs, becomes a visceral metaphor about how humans use and misuse animals. From genetic engineering to the eternal complications of family, Haddon showcases how we are subject to the same elemental forces that obsessed the Greeks. Whether describing Laika the Soviet space dog on her fateful orbit, or St Anthony wrestling with loneliness in the desert, his powers of observation are at their height when illuminating the thin line between human and animal.
”A marvel of a collection — suffused with curiosity, humanity and mystery, bold in its scope and virtuoso in its telling. Mark Haddon makes stories matter.” —Kaliane Bradley
”In sentences as precisely cut as paper sculptures, Mark Haddon fits ancient myth to the cruelties and wonders of the present.” —Francis Spufford
The Vaster Wilds by Lauren Groff $26
A servant girl escapes from a settlement. She carries nothing with her but her wits, a few possessions, and the spark of god that burns hot within her. What she finds is beyond the limits of her imagination and will bend her belief of everything that her own civilisation has taught her. The Vaster Wilds is a work of raw and prophetic power that tells the story of America in miniature, through one girl at a hinge point in history, to ask how — and if — we can adapt quickly enough to save ourselves. [New paperback edition]
”I could not stop reading. A haunting, thrilling, gripping and rich. An unputdownable adventure, a mystery and a strange beautiful redemption.” —Naomi Alderman
”Groff is a mastermind, a masterpiece creator, an intoxicating magician. I wait with impatience for every book and I am always surprised and delighted. The Vaster Wilds feels like her bravest yet, hallucinatory, divine, beyond belief but also entirely human.” —Daisy Johnson
The Year of Sitting Dangerously by Simon Barnes $29
In the autumn of 2020, Simon Barnes should have been leading a safari in Zambia, but Covid restrictions meant his plans had to be put on hold. Instead, he embarked on the only voyage of discovery that was still open to him. He walked to a folding chair at the bottom of his garden, and sat down. His itinerary: to sit in that very same spot every day for a year and to see — and hear — what happened all around him. It would be a stationary garden safari; his year of sitting dangerously had begun. For the next twelve months, he would watch as the world around him changed day by day. Gradually, he began to see his surroundings in a new way; by restricting himself, he opened up new horizons, growing even closer to a world he thought he already knew so well. The Year of Sitting Dangerously inspires the reader to pay closer attention to the marvels that surround us all, and is packed with handy tips to help bring nature even closer to us. [Now in paperback]
Tell Me Everything by Elizabeth Strout $38
It's autumn in Maine, and the town lawyer Bob Burgess has become enmeshed in an unfolding murder investigation, defending a lonely, isolated man accused of killing his mother. He has also fallen into a deep and abiding friendship with the acclaimed writer, Lucy Barton, who lives down the road in a house by the sea with her ex-husband, William. Together, Lucy and Bob go on walks and talk about their lives, their fears and regrets, and what might have been. Lucy, meanwhile, is finally introduced to the iconic Olive Kitteridge, now living in a retirement community on the edge of town. Together, they spend afternoons in Olive's apartment, telling each other stories. Stories about people they have known — "unrecorded lives," Olive calls them — reanimating them, and, in the process, imbuing their lives with meaning.
”The shrewd-eyed observer of love, loss and the ties that bind - life, basically - is back. Strout weaves a gossamer light web of a community's hopes and setbacks.” —Observer
Nexus: A brief history of information networks from the Stone Age to A.I. by Noah Yuval Harari $45
For the last 100,000 years, we Sapiens have accumulated enormous power. But despite all our discoveries, inventions and conquests, we now find ourselves in an existential crisis. The world is on the verge of ecological collapse. Misinformation abounds. And we are rushing headlong into the age of AI - a new information network that threatens to annihilate us. If we are so wise, why are we so self-destructive? Nexus considers how the flow of information has shaped us, and our world. Taking us from the Stone Age through the Bible, early modern witch-hunts, Stalinism, Nazism and the resurgence of populism today, Yuval Noah Harari asks us to consider the complex relationship between information and truth, bureaucracy and mythology, wisdom and power. He explores how different societies and political systems have wielded information to achieve their goals, for good and ill. And he addresses the urgent choices we face as non-human intelligence threatens our very existence. Information is not the raw material of truth; neither is it a mere weapon. Nexus explores the hopeful middle ground between these extremes, and of rediscovering our shared humanity.
The Name She Gave Me by Betty Culley $25
A thoughtful and moving YA novel in verse. Rynn was born with a hole in her heart — literally. Although it was fixed long ago, she still feels an emptiness there when she wonders about her birth family. As her relationship with her adoptive mother fractures, Rynn finally decides she needs to know more about the rest of her family. Her search starts with a name, the only thing she has from her birth mother, and she quickly learns that she has a younger sister living in foster care in a nearby town. But if Rynn reconnects with her biological sister, it may drive her adoptive family apart for good.
Cuddy by Benjamin Myers $25
An experimental retelling of the story of the hermit St. Cuthbert, unofficial patron saint of the North of England. Incorporating poetry, prose, play, diary and real historical accounts to create a novel like no other, Cuddy straddles historical eras - from the first Christian-slaying Viking invaders of the holy island of Lindisfarne in the 8th century to a contemporary England defined by class and austerity. Along the way we meet brewers and masons, archers and academics, monks and labourers, their visionary voices and stories echoing through their ancestors and down the ages. And all the while at the centre sits Durham Cathedral and the lives of those who live and work around this place of pilgrimage their dreams, desires, connections and communities. [New paperback edition.]
Winner of the Goldsmiths Prize, 2023.
”A polyphonic hymn to a very specific landscape and its people. At the same time, it deepens his standing as an arresting chronicler of a broader, more mysterious seam of ancient folklore that unites the history of these isles as it's rarely taught.” —Observer
”It's been a while since I've reacted as emotionally to a novel. An epic the north has long deserved: ambitious, dreamy, earthy, dark, welcoming and not. There are readers like me who will not just enjoy this book but feel deeply grateful for its existence.” —Financial Times
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6 September 2024
Scaffolding is the story of two couples who live in the same apartment in north-east Paris almost fifty years apart. In 2019, Anna, a psychoanalyst, is processing a recent miscarriage. Her husband, David, takes a job in London, so she spends days obsessing over renovating the kitchen while befriending a younger woman called Clementine who has moved into the building and is part of a radical feminist collective called les colleuses. Meanwhile, in 1972, Florence and Henry are redoing their kitchen. Florence is finishing her degree in psychology while hoping to get pregnant. But Henry isn't sure he's ready for fatherhood. Both sets of couples face the challenges of marriage, fidelity, and pregnancy, against a backdrop of political disappointment and intellectual controversy. The characters and their ghosts bump into and weave around each other, not knowing that they once all inhabited the same space. A novel in the key of Eric Rohmer, Scaffolding is about the bonds we create with people, and the difficulty of ever fully severing them; about the ways that people we've known live on in us; and about the way that the homes we make hold communal memories of the people who've lived in them and the stories that have been told there.
”Scaffolding is a quietly incendiary disquisition on desire and containment, on the bonds that make and unmake us. It seized me wholly — a powerful testament to the idea that what we want might obliterate us, and fearlessly reckons with the equally high stakes of pretending otherwise.” —Daisy Lafarge
”Scaffolding is absolutely a novel of ideas. The prose is as well crafted as Elkin's nonfiction leads us to expect, and the characters are very finely developed. Not every good essayist should write a novel, but we should be glad Lauren Elkin did.” —Guardian
Well, he thought, I am not travelling on a bus in Paris, and, who knows, I may never travel on a bus in Paris, but, in the company of Lauren Elkin, even though I have not met Lauren Elkin, and, who knows, I will probably never meet Laren Elkin, I have no particular wish or need to meet Lauren Elkin, at least not in the conventional sense, and, almost certainly, Lauren Elkin will never meet me in any sense whatsoever, and she will be missing nothing thereby, nonetheless, in a sense, in her company I have been riding in my thoughts, or, rather, her thoughts, it is hard to tell which, as she has been travelling on the No.91 and No.92 buses in Paris over a few months in 2014/2015, when she was commuting to and from some teaching position she then held, evidently teaching literature, possibly writing, who knows, and wrote the notes which have become this book on her cellphone, as an attempt to use her phone to connect herself to the moments and in the locations in which she was holding it, rather than as a way of absenting herself from those locations and those moments, which is usually the way with cellphones, so she observes, they are a technology of absence, after all. Unlike in the bus, where who will sit and who will stand is constantly negotiated on the basis of a generally unspoken hierarchy of need, and the passengers are crammed together in each other’s odours and in each other’s breaths in a way that now seems horrific, there is plenty of fresh air in Elkin’s thoughts, there is room both for her fellow passengers, for all the details Elkin notices about them or speculates about them, for all her observations, so to call them, about what she notices and about what she notices about herself in the act of noticing, and for writers such as Georges Perec and Virginia Woolf, who, in their ways, are along for the ride, using Elkin and her cellphone to speak to us through Paris, though whether this makes Paris a medium or a subject is hard to say, using Elkin’s bus pass, too, and, I suppose, he thought, all these thoughts are waiting there, both outside and already aboard Elkin’s mind, constantly negotiating which will be next to take a seat in Elkin’s text on the basis of a generally unspoken hierarchy of need, if it is need. Elkin attempts in the practice of these notes a written appreciation of the ordinary, even the infraordinary, aspects of her journeys as a discipline of noticing, guided by Perec, a turning outward that clears her thoughts or clears her of her thoughts, he cannot decide if there is a difference, he thinks not, leaving the shape of the observer clearly outlined in their surroundings by their careful lack of intrusion upon them (in the way that Perec is always writing about something that he does not mention), but this exercise in finding worth in the ordinary, the sensate, the unsensational, against, he speculates, the general inclinations of our cellphones, is, in the two semesters in which Elkin made these notes, sometimes intruded upon by occurrences antagonistic to such appreciation, occurrences both within Elkin’s body: an ectopic pregnancy and the resulting operations; and in the collective body of the city: terror attacks that change the texture of communal life. “In an instant, the everyday can become an Event,” writes Elkin. Are Events inherently antagonistic to the worth of ordinary life, he wonders, or could rethinking the ordinary help us to resist the impact of such Events? Most Events are instants, he thinks, but some, such as pandemics or climate change or neoliberal capitalism, go on and on, exhausting our conceptual resistance as they strive to become the new ordinary, to normalise themselves. Conceptual resistance is useless, he almost shouts, conceptual resistance is worse than useless, we must adapt to survive, reality deniers display the worst sorts of mental weakness, pay attention, your nostalgia is an existential threat! He checks his mouth for froth, but there is none. But, he wonders, can we use an attention to and appreciation of the infraordinary to reconstruct the ordinary and thereby survive the extraordinary? Actually, the infraordinary is all we’ve got, he thinks, so we had better get to work and make of it what we can.
The Margaret Mahy Book of the Year is the most coveted award for children’s books in Aotearoa. Every year, from many excellent entries, one book is chosen that flies above the rest. This year the winner was a household name and a popular author with younger readers, often winning children’s choice awards, a bestselling author here and overseas, and a popular guest author at festivals and schools. Her love for horses propelled her to write 33 pony stories — some of which were pony club dramas (one became a hit TV series in the UK), while others were more nuanced tales of girls, horses, history and overcoming an issue. As a bookseller, I’ve read a few and they are immaculate in pitch and skill. Yet Nine Girls takes us somewhere new with Stacy Gregg. The author has skin in the game. It’s her childhood, and her journey in te ao Māori which resonates on every page giving this adventure story that extra bite. But it is the protaganist, Titch, who will stay with you. It’s the late 1970s and Dad has been made redundant. It’s time to pack up and move from Remuera to Ngāruawāhia — a culture shock for TItch and her sister, but also the stuff of holidays and relatives with tall tales. One tall tale takes hold: Gold! Buried gold buried somewhere on their ancestral land. Gold with a tapu on it. Titch and her cousins think it might be time to find it. Their plans aren’t great and they are worried about being cursed, especially as more secrets come to light. What is it about the past and her family? As the past is unpicked, this is the Waikato, Titch comes to understand the complexities of relationships in this small town, piecing together information with the help of an unexpected creature (Gregg weaves in a talking eel) — a creature that is not exactly trustworthy, but definitely a source of fascination. The relationship between Titch and Paneiraira (Pan) reminded me of other fictional child/animal bond scenarios and it gives Nine Girls a wonderful and unexpected narrator to relay history and family secrets. While Pan may be a source of information, it is Tania who will become a firm friend and open a door into a new world for Titch, teaching her more about herself than she could ever have imagined. This is a coming-of-age story about family, culture and friendship; it takes on big issues like racism (the personal and the political — the protests of the Tour surface) and the emotional challenges of facing illness and death. In all these things, Titch discovers herself, and her own culture, coming home as has Stacy Gregg. And as ever, great story-telling.
New books for a new month and a new season.
Click through for your copies:
Creation Lake by Rachel Kushner $38
Sharp, brainy, and hugely enjoyable — Rachel Kusner’s new novel exceeds even our anticipatory dreams. A thirty-four-year-old American undercover agent of ruthless tactics, bold opinions and clean beauty is sent by her mysterious but powerful employers to a remote corner of France. Her mission to infiltrate a commune of radical eco-activists influenced by the beliefs of a mysterious elder, Bruno Lacombe, who has rejected civilisation tout court. Sadie casts her cynical eye over this region of ancient farms and sleepy villages, and at first finds Bruno's idealism laughable — he lives in a Neanderthal cave and believes the path to enlightenment is a return to primitivism. But just as Sadie is certain she's the seductress and puppet master of those she surveils, Bruno Lacombe is seducing her with his ingenious counter-histories, his artful laments, his own tragic story. Beneath this parodic spy novel about a woman caught in the crossfire between the past and the future lies a profound treatise on human history. Long-listed for the 2024 Booker Prize.
”Creation Lake reinvents the spy novel in one cool, erudite gesture. Only Rachel Kushner could weave environmental activism, paranoia, and nihilism into a gripping philosophical thriller. Enthralling and sleekly devious, this book is also a lyrical reflection on both the origin and the fate of our species. A novel this brilliant and profound shouldn't be this much fun.” —Hernan Diaz
”I honestly don't know how Rachel Kushner is able to know so much and convey all of this in such a completely entertaining and mesmerising way.” —George Saunders
COMFORT by Yotam Ottolenghi and Helen Goh
Ottolenghi's first brand-new major cookbook since the era-defining SIMPLE and FLAVOUR. With over 100 irresistible recipes alongside stories of childhood and home, this is comfort food, Ottolenghi-style. Ottolenghi brings his inspiring, flavour-forward approach to comfort cooking, delivering new classics that taste of home. A bowl of pasta becomes Caramelised Onion Orecchiette with Hazelnuts & Crispy Sage, a warming soup is Cheesy Bread Soup with Savoy Cabbage & Cavolo Nero, and a plate of mash is transformed into Garlicky Aligot Potato with Leeks & Thyme. Weaving memories of childhood and travel with over 100 recipes, COMFORT is a celebration of food and home — of the connections we make as we cook, and pass on from generation to generation.
Mina’s Matchbox by Yōko Ogawa (translated from Japanese by Stephen Snyder) $38
After the death of her father, twelve-year-old Tomoko is sent to live for a year with her uncle in the coastal town of Ashiya. It is a year which will change her life. The 1970s are bringing changes to Japan and her uncle's magnificent colonial mansion opens up a new and unfamiliar world for Tomoko; its sprawling gardens are even home to a pygmy hippo the family keeps as a pet. Tomoko finds her relatives equally exotic and beguiling and her growing friendship with her cousin Mina draws her into an intoxicating world full of secret crushes and elaborate storytelling. As the two girls share confidences their eyes are opened to the complications of the adult world. Tomoko's understanding of her uncle's mysterious absences, her grandmother's wartime experiences and her aunt's unhappiness will all come into clearer focus as she and Mina build an enduring bond.
”Yoko Ogawa is a quiet wizard, casting her words like a spell, conjuring a world of curiosity and enchantment, secrets and loss. I read Mina's Matchbox like a besotted child, enraptured, never wanting it to end.” —Ruth Ozeki
Lost on Me by Veronica Raimo (translated from Italian by Leah Janeczko) $28
Vero has grown up in Rome with her eccentric family: an omnipresent mother who is devoted to her own anxiety, a father ruled by hygienic and architectural obsessions, and a precocious genius brother at the centre of their attention. As she becomes an adult, Vero's need to strike out on her own leads her into bizarre and comical situations: she tries (and fails) to run away to Paris at the age of fifteen; she moves into an unwitting older boyfriend's house after they have been together for less than a week; and she sets up a fraudulent (and wildly successful) street clothing stall to raise funds to go to Mexico. Most of all, she falls in love — repeatedly, dramatically, and often with the most unlikely and inappropriate of candidates. As she continues to plot escapades and her mother's relentless tracking methods and guilt-tripping mastery thwart her at every turn, it is no wonder that Vero becomes a writer — and a liar — inventing stories in a bid for her own sanity. Narrated in a voice as wryly ironic as it is warm and affectionate, Lost on Me seductively explores the slippery relationship between deceitfulness and creativity (beginning with Vero's first artistic achievement: a painting she steals from a school classmate and successfully claims as her own). New paperback edition.
”I fell head over heels in love with Lost on Me. What a thrillingly original voice! Raimo writes with a tender brutality that is simultaneously hilarious and heartbreaking.” —Monica Ali
”A uproariously funny portrait of an unconventional family from a writer who knows the sliver of ice in the heart as well as she knows love. This deliciously enjoyable novel is a true original and one to savour.” —Katherine Heiny
The Empty Grandstand by Lloyd Jones $30
Lloyd Jones was seven years old the first time he climbed high into a grandstand to watch rugby with his father. The experience was baptismal. From his new elevated perspective Jones believed he could see everything that mattered — a field of play that rolled out, green with promise, from suburban New Zealand to the wider world. The grandstand is a guiding metaphor for these questing narrative poems that reach back into childhood and forward into the life of a writer constantly experimenting with form and voice. Jones writes of the wild secrets of boyhood — riding dogs, falling from trees, destroying the class ukuleles, learning to sail in small boats. He is alert to the airless small-town grievances that must inevitably be escaped. As an aspiring young writer Jones travelled widely, testing his identity against difference — places, people, politics and importantly, language. The more recent poems are a re-assembling of coordinates and a return to the local view. The grandstand has long been decommissioned — it's a housing estate now, but the poems are full of air and greenery, dream spaces where language is forever in play.
Dinner: 120 vegan and vegetarian dishes for the most important meal of the day by Meera Sodha
“The ability to put a good dinner on the table has become my superpower and I want it to be yours too.,” says Meera Sodha, who has previously brought us the loved cookbooks East and Fresh India. Dinner is a fresh and joyful celebration of the power of a good meal all created to answer the question: What's for dinner? in an exciting and delicious way. Discover 120 vibrant, easy-to-make vegetarian and vegan main dishes bursting with flavour, including baked butter paneer, kimchi and tomato spaghetti, and aubergines roasted in satay sauce. There are also mouthwatering desserts, such as coconut and cardamom dream cake and bubble tea ice cream, and exciting side dishes, such as salt and vinegar potato salad and asparagus and cashew thoran. From quick-cook recipes to one-pan wonders and delectable dishes you can just bung in the oven and leave to look after themselves, Dinner is an essential companion for the most important meal of the day.
Translation State by Ann Leckie $28
Qven was created to be a Presger Translator. The pride of their clade, they always had a clear path before them: Learn human ways and, eventually, make a match and serve as an intermediary between the dangerous alien Presger and the human worlds. But Qven rebels against that future, a choice that brings them into the orbit of two others: Enae, a reluctant diplomat attempting to hunt down a fugitive who has been missing for over two hundred years; and Reet, an adopted mechanic who is increasingly desperate to learn about his biological past — or anything that might explain why he operates so differently from those around him. As the conclave of the various species approaches and the long-standing treaty between the humans and the Presger is on the line, the decision of all three will have ripple effects across the stars.
"A rich exploration of self-identification and personhood serve as a fantastic introduction to Leckie's world." —Polygon
"In this book that's part space opera, part coming-of-age tale, part body horror delight, Ann Leckie explores themes of power, gender identity, family, destiny and AI through charming characters, dramatic diplomacy and nail-biting action." —NPR Books
"Leckie's humane probe into power, identity, and communication is muscular and thought-provoking. This is an author at the height of her powers." —Publishers Weekly
"Puts the question of an individual's right to self-identification — both in terms of gender and species — at the heart of the narrative. Daring, thoughtful novels like Translation State perform vital cultural work to open up new spaces so that we can all remove our disguises and shine like the princexes we were always meant to be." —Los Angeles Review of Books
One Man in His Time by N.M. Borodin $55
From humble origins, the eminent Russian scientist Nicholas Borodin forged a career in microbiology in the era of Stalin. Pragmatic and dedicated to his work, he accepted the Soviet regime, even working on several occasions with the Secret Police. But in 1948, while on a state-sponsored trip to the UK to report on the bulk manufacture of antibiotics, he could no longer ignore his rising consciousness of the suppression of independent thought in his country. It was then that he committed high treason by writing to the Soviet ambassador to renounce his citizenship. One Man in his Time is the story of a man trying to live an ordinary life in extraordinary times. Rich in incident and astonishing details, it charts Borodin's childhood during the revolution and famine through to his scientific career amidst the suspicion and violence of the purges. Unsparing and frank in its depiction of the author's collaboration with Soviet authorities, it offers unparalleled insight into the daily reality of life under totalitarian rule. First published in 1955, and recently ‘rediscovered’. [Hardback]
”An astonishing testimony that has never seemed more timely or more pertinent.” —Nicholas Shakespeare
THAT GREEN OLIVE by Olivia Moore
Everyone has a food story — the recipes and ingredients they've grown up with and grown used to. In That Green Olive, recipe creator and Aotearoa foodie Olivia Moore shares her story, and shares how to find joy in the kitchen by mixing things up a little. Drawing inspiration from kiwi classics, restaurants and Olivia's lakeside hometown — with recipes for venison sausages and candied trout — That Green Olive gives you the choice to be a little bit fancy, whether it's beer and gruyere scones or a tasty nduja moussaka.
These are cosy snacks, dinners and desserts designed to inspire and devour, whether you are cooking for yourself, your family or friends.
Emperor of Rome: Ruling in the Ancient world by Mary Beard $30
What was it really like to rule and be ruled in the Ancient Roman world? In her international best-seller SPQR, Mary Beard told the thousand-year story of ancient Rome. Now, she shines her spotlight on the emperors who ruled the Roman empire, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE). Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Beard asks bigger questions: What power did emperors actually have? Was the Roman palace really so bloodstained? Emperor of Rome goes directly to the heart of Roman (and our own) fantasies about what it was to be Roman, offering an account of Roman history as it has never been presented before. Now in paperback.
”Britain's most famous classicist at the peak of her powers. Even more interesting than the insight into the imperial elite is the light the book sheds on the modern world.” —Sathnam Sanghera
”A beautifully written product of a lifetime of deep scholarly learning.” —Martin Wolf
”Lavishly illustrated, erudite and entertaining. Beard is so appealing and approachable that even the recalcitrant reader who previously gave not a single thought to the Roman Empire will warm to her subject.” —Jennifer Szalai
All That We Own Know by Shilo Kino $38
Meet Māreikura Pohe: she's in love with her best friend Eru, who is leaving to go on a church mission, and she's an accidental activist — becoming an online sensation after her speech goes viral. But does she really want the spotlight? Navigating self-diagnosed ADHD, a new romantic relationship, forging friendships and reclaiming her language all at once is no easy feat. And as her platform grows, Māreikura is unwittingly placed on a pedestal as a voice for change against the historical wrongs of colonisation. The question remains: at what personal cost? Set against the vibrant backdrop of Tāmaki Makaurau, All That We Know is a modern take on family and friendship and how, even in a divided and often polarising world, the resilience of friendship, love, and connection can defy the most challenges of our times.
”Magnificent. A well-observed mirror of our current time.” —Pip Adam
”Shilo Kino is an extraordinary writer — a growing, potent voice in Aotearoa/NZ literature. All That We Own Know is a clever, knowing insight into language trauma and reclamation and how we each navigate our experiences of colonisation and healing through te ao Maori me te ao Pakeha.” —Miriama Kamo
The Echoes by Evie Wylde $38
Max didn't believe in an afterlife. Until he died. Now, as a reluctant ghost trying to work out why he remains, he watches his girlfriend Hannah lost in grief in the flat they shared and begins to realise how much of her life was invisible to him. In the weeks and months before Max's death, Hannah is haunted by the secrets she left Australia to escape. A relationship with Max seems to offer the potential of a different story, but the past refuses to stay hidden. It finds expression in the untold stories of the people she grew up with, the details of their lives she never knew and the events that broke her family apart and led her to Max. Both a celebration and autopsy of a relationship, spanning multiple generations and set between rural Australia and London, The Echoes is a novel about love and grief, stories and who has the right to tell them.
Wilding: How to bring Nature back, An illustrated guide by Isabella Tree, illustrated by Angela Harding $50
The latest iteration of Isabella Tree’s remarkable record of how she rewilded an English estate is a beautiful large-format book featuring stunning lino-cuts by Angela Harding. It is intended of children, but will be loved by anyone. Knepp is now home to some of the rarest and most beautiful creatures in the UK, including nightingales, kingfishers, turtle doves and peregrine falcons, hazel dormice and harvest mice, scarce chaser dragonflies and purple emperor butterflies. The sheer abundance of life is staggering too. When you walk out into the scrubland on an early spring morning the sound of birdsong is so loud it feels like it's vibrating in your lungs. This is the story of Knepp, and a guide telling you how to bring wildlife back where you live. Includes timelines, an in-depth look at rewilding, spotlight features about native animals including species that have returned and thrive — butterflies, bats, owls and beetles. There are accessible in-garden activities to 're-wild' your own spaces and the book encourages you to slow down and observe the natural world around you, understand the connections between species and habitats, and the huge potential for life right on your doorstep.
A selection of books from our shelves to read on your couch.
Click through to find out:
Insomniac Dreams
Philosophy of the Home
Some Things Wrong
Old Masters
Faces in the Water
Freud: The Origin of Psychoanalysis
Playthings
My Year of Rest and Relaxation
There are new cookbooks this week from some of your favourite cookbook people — the ones who are the best reassuring company in the kitchen and who lead you to new dishes and new flavours.
COMFORT by Yotam Ottolenghi and Helen Goh
Ottolenghi's first brand-new major cookbook since the era-defining SIMPLE and FLAVOUR. With over 100 irresistible recipes alongside stories of childhood and home, this is comfort food, Ottolenghi-style.
Ottolenghi brings his inspiring, flavour-forward approach to comfort cooking, delivering new classics that taste of home. A bowl of pasta becomes Caramelised Onion Orecchiette with Hazelnuts & Crispy Sage, a warming soup is Cheesy Bread Soup with Savoy Cabbage & Cavolo Nero, and a plate of mash is transformed into Garlicky Aligot Potato with Leeks & Thyme.
Weaving memories of childhood and travel with over 100 recipes, COMFORT is a celebration of food and home - of the connections we make as we cook, and pass on from generation to generation.
DINNER: 120 vegan and vegetarian dishes for the most important meal of the day by Meera Sodha
“The ability to put a good dinner on the table has become my superpower and I want it to be yours too.,” says Meera Sodha, who has previously brought us the loved cookbooks East and Fresh India.
Dinner is a fresh and joyful celebration of the power of a good meal all created to answer the question: What's for dinner? in an exciting and delicious way. Discover 120 vibrant, easy-to-make vegetarian and vegan main dishes bursting with flavour, including baked butter paneer, kimchi and tomato spaghetti, and aubergines roasted in satay sauce. There are also mouthwatering desserts, such as coconut and cardamom dream cake and bubble tea ice cream, and exciting side dishes, such as salt and vinegar potato salad and asparagus and cashew thoran.
From quick-cook recipes to one-pan wonders and delectable dishes you can just bung in the oven and leave to look after themselves, Dinner is an essential companion for the most important meal of the day.
THAT GREEN OLIVE by Olivia Moore
Everyone has a food story — the recipes and ingredients they've grown up with and grown used to.
In That Green Olive, recipe creator and Aotearoa foodie Olivia Moore shares her story, and shares how to find joy in the kitchen by mixing things up a little.
Drawing inspiration from kiwi classics, restaurants and Olivia's lakeside hometown — with recipes for venison sausages and candied trout — That Green Olive gives you the choice to be a little bit fancy, whether it's beer and gruyere scones or a tasty nduja moussaka.
These are cosy snacks, dinners and desserts designed to inspire and devour, whether you are cooking for yourself, your family or friends.
Read our latest newsletter!
30 August 2024
The 2024 Winner of the Margaret Mahy Book of the Year is Stacy Gregg (Ngāti Mahuta, Ngāti Pūkeko, Ngāti Maru Hauraki) with her latest book, Nine Girls. Gregg is a household name in New Zealand, and in the UK, with over 30 pony books to her name, numerous awards, along with commercial success. Nine Girls is a departure from the pony stories. Gone is the pony, but in its place is a talking eel. Titch and her whanua have moved to Ngāruawāhia. Adjusting to a small town where she feels out of place is no easy feat, but with a best friend, Tania, the lure of hidden treasure and the unexpected encounter with her eel connecting Titch to her past, adventure is never far away.
In Nine Girls Stacy Gregg draws on her own childhood, and being an outsider; she explores issues of colonisation, racism and striving to find yourself and connect with your heritage. With Gregg’s expert story-telling this coming-of-age story balances humour, adventure, and emotion — the perfect ingredients for a standout book that embraces important themes and history for both Māori and Pākehā readers.
So, what makes you want to write a review of David Shields’s new book, The Very Last Interview?
Then why are you writing one?
Every week? Whose idea was that?
Surely at your age, you shouldn’t be so bound by obligation or by expectation, or whatever you call it?
Yes, but do you really care what these readers might think, and do you even believe that there are such people? Aren’t you being altogether a bit precious?
Do you really think that this helps to pay the mortgage, I mean that this makes a direct and measurable contribution towards paying your mortgage? Or even an indirect and unmeasurable but still valuable contribution towards paying your mortgage?
Well, what else would you be doing?
Surely you’re joking?
Okay, we’ve got a bit off the track there. I will reframe my first question. What makes you think that you are able to write a review of David Shields’s new book?
Don’t you think your humility is a bit mannered?
The Very Last Interview is a book consisting entirely of questions that interviewers have asked David Shields over the years, omitting his answers, assuming he will have answered probably at least most of the questions, and your review, if we can call it that, of this book also consists of a series of questions ostensibly directed at you but without your answers, if indeed there were answers, which is less certain in your case than in the case of David Shields. Is this, on your part, a deliberate choice of approach, and, if so, is it justifiable?
Do you really believe that a review written in imitation of, or in the style of, the work under review inherently reveals something about that work, even if the review is badly written, or should your approach rather be attributed to laziness, stylistic insecurity, or creative bankruptcy?
Has it ever occurred to you that the supposedly more enjoyable qualities of your writing are actually nothing more than literary tics or affectations, and, furthermore, that it might be these very literary tics and affectations that prevent you from writing anything of real literary worth?
Do you think that, by removing his input into the original interviews but retaining the questions, David Shields is attempting to remove himself from his own existence, or merely to show that our identities are always imposed from outside us rather than from inside, or that we exist as persons only to the extent that we are seen by others? Is this, in fact, all the same thing?
What do you mean by that statement, ‘We are defined by the limits we present to the observations of others’?
What do you mean by that statement ‘There is no such thing as writing, only editing,’ and how does that relate to Shields’s work?
Do you think that David Shields, in this book as in the much-discussed 2010 Reality Hunger, sees the individual as an illusion, a miserable fragment of what is actually a ‘hive mind’ or collective consciousness, and that ‘creativity’, so to call it, is another illusion predicated on this illusion of individuality?
You don’t? What, then?
What do you think David Shields would have answered, when asked, as he was, seemingly in this book, “But what is the role of the imagination in this ‘post-literature literature’ that you envision?” and how might this differ from the answer you might give if asked the same question?
Shields was asked if he had written anything that couldn’t be interpreted as ‘crypto-autobiography’, but don’t you think the salient question is whether it is even possible to write anything that couldn’t be interpreted as crypto-autobiography?
Is a perfectly delineated absence, such as David Shields approximates in The Very Last Interview, in fact the most perfect portrait of a person, even the best possible definition of a person, as far as this is possible at all?
But do you actually have a personal opinion on this?
Do you think then that you, like Shields, like us all perhaps, are, in essence, a ghost?
The books you buy today will bloom in Spring.
Click through for your copies:
Nine Girls by Stacy Gregg $22
They dug a hole and they put the box filled with gold inside it. To keep it safe until they could return, one of them placed a tapu on it. A tapu so that anyone who tried to touch the gold would die. Titch is determined to find the gold buried somewhere on her family's land. It might be cursed but that won't put her off. Then an unexpected encounter with a creature from the river reveals secrets lying beneath its surface. As Titch uncovers the truth about the hidden treasure, she learns about her own heritage — and what it's like to feel like an outsider in your own world. A story about growing up in a time of social unrest in early 1980s New Zealand, Nine Girls is a page-turning adventure.
Winner of the 2024 Margaret Mahy Book of the Year Award, and winner of the Wright Family Foundation Esther Glen Junior Fiction Award — NZ Book Awards for Children & Young Adults 2024.
”In Nine Girls Stacy Gregg masterfully weaves comedy, fantasy and history together in a profound exploration of the complexity of identity in Aotearoa New Zealand through the experiences of a young Māori girl finding her place in the world. Historical events are woven into the fabric of the story, grounding her personal journey in a broader socio-political context. Vivid characters animate a fast-paced, eventful narrative with plot twists and emotional highs and lows. This book celebrates Māori identity, pays tribute to Aotearoa’s rich history, and testifies to the power of storytelling. Nine Girls is a taonga for readers of all ages, resonating long after the final page is turned.” — NZBACYA judges’ citation
The Invasion of Waikato — Te Riri ki Tainui by Vincent O’Malley $40
The 1863 crossing of the Mangatāwhiri River by colonial forces was a pivotal moment, igniting a war between the Crown and the Waikato tribes that profoundly influenced New Zealand’s future. In The Invasion of Waikato: Te Riri ki Tainui, Vincent O’Malley introduces this critical period, presenting a conflict driven by opposing visions: European dominance versus Māori autonomy (as promised by the Treaty of Waitangi). The ensuing war was devastating, resulting in the loss of many lives, the displacement of communities and extensive land confiscations. Building on the detailed examination found in The Great War for New Zealand: Waikato 1800–2000 (2016), this concise new volume broadens the reach of the Waikato War narrative. Enriched with new research, maps and images, O’Malley’s latest work invites readers to contemplate the profound effects of this era on the nation’s identity and its enduring legacy.
Modern Women: Flight of Time edited by Julia Waite $65
Profiling 44 innovative artists, this book places women in the front and centre of New Zealand Modernism and explores their varied responses to the transformational changes occurring across five decades of the 20th Century. While presenting key works by such iconic figures as Rita Angus, Frances Hodgkins, and A Lois White, the book also aims to celebrate the significant contributions of lesser-known artists, including June Black, Flora Scales and Pauline Yearbury, one of the first Māori graduates of the Elam School of Fine Arts. Through their works, the book uncovers how these women navigated and transformed the cultural and political landscape of their time, offering new insights into themes of storytelling, identity and belonging. The artists featured in the book are: Rita Angus, Mina Arndt, Tanya Ashken, June Black, Jenny Campbell, Alison Duff, Elizabeth Ellis, Jacqueline Fahey, Ivy Fife, Anne Hamblett, Rhona Haszard, Barbara Hepworth, Avis Higgs, Frances Hodgkins, Julia Holderness (Florence Weir), Laura Knight, Mere Harrison Lodge, Doris Lusk, Molly Macalister, Ngaio Marsh, Kāterina Mataira, Eileen Mayo, Juliet Peter, Margot Philips, Ilse von Randow, Anne Estelle Rice, Kittie Roberts, Flora Scales, Maud Sherwood, May Smith, Olivia Spencer Bower, Helen Stewart, Teuane Tibbo, A Lois White, Pauline Yearbury, Adele Younghusband, and Beth Zanders.Nicely presented, with over 120 illustrations. [Hardback]
Our Island Stories: Country walks through colonial Britain by Corinne Fowler $65
As well as affecting the lands appropriated and people subsumed into Empire around the world, the British colonial enterprise had an indelible effect even on the countryside and rural life within Britain’s own shores. In Our Island Stories, historian Corinne Fowler brings rural life and colonial rule together with transformative results. Through ten country walks with varied companions, Fowler combines local and global history, connecting the Cotswolds to Calcutta, Dolgellau to Virginia, and Grasmere to Canton. Empire transformed rural lives, whether in Welsh sheep farms or Cornish copper mines — it offered both opportunity and exploitation. Fowler shows how the booming profits of overseas colonial activities directly contributed to enclosure, land clearances and dispossession. These histories, usually considered separately, continue to link the lives of their descendants around the world now. [Hardback]
”This is real, difficult, essential history delivered in the most eloquent and accessible way. Her case, that rural Britain has been shaped by imperialism, is unanswerable, and she makes her arguments beautifully. An important book.” —Sathnam Sanghera
”A detailed and thoughtful exploration of historical connections that for too long have been obscured. A powerful book that brings the history of the Empire home — literally.” —David Olusoga
”This is an essential and fascinating book because it brings to light, through conversations and nature walks, some of the buried connections between Britain's landscape and historic buildings and its complicated hidden histories.” —Bernardine Evaristo
The Voyage Home by Pat Barker $38
After ten blood-filled years, the war is over. Troy lies in smoking ruins as the victorious Greeks fill their ships with the spoils of battle. Alongside the treasures looted are the many Trojan women captured by the Greeks - among them the legendary prophetess Cassandra, and her watchful maid, Ritsa. Enslaved as concubine — war-wife — to King Agamemnon, Cassandra is plagued by visions of his death — and her own — while Ritsa is forced to bear witness to both Cassandra's frenzies and the horrors to come. Meanwhile, awaiting the fleet's return is Queen Clytemnestra, vengeful wife of Agamemnon. Heart-shattered by her husband's choice to sacrifice their eldest daughter to the gods in exchange for a fair wind to Troy, she has spent this long decade plotting retribution, in a palace haunted by child-ghosts. As one wife journeys toward the other, united by the vision of Agamemnon's death, one thing is certain — this long-awaited homecoming will change everyone's fates forever.
”Brilliant, masterful, strikingly accomplished. Few come close to matching the sharp perspicacity and profound humanity of Pat Barker. This bloody tale has reverberated down the ages. With her characteristic blend of brusque wisdom and piercing compassion, Barker remakes it for our times.” —Guardian
”The Voyage Home brings forgotten female characters into sharp psychological focus. It is astonishingly fresh and modern, bristling with anger, and breezily quick to read. Pat Barker is one of the finest novelists working today.” —Alice Winn
The History of Ideas: Equality, justice, and freedom by David Runciman $40
What can Samuel Butler's ideas teach us about the oddity of how we choose to organise our societies? How did Frederick Douglass not only expose the horrors of slavery, but champion a new approach to abolishing it? Why should we tolerate snobbery, betrayal and hypocrisy, as Judith Shklar suggested? And what does Friedrich Nietzsche predict for our future? From Rousseau to Rawls, fascism to feminism and pleasure to anarchy, this is a mind-bending tour through the history of ideas which will forever change your view of politics today.
Forms of Freedom: Marxist essays in New Zealand and Australian literature by Dougal McNeill $45
McNeill explores how the creative literary imagination can influence progressive social change in the real world. In engaging prose and with impressive intellectual range, McNeill applies insights from Marxist critical theory to the works of selected Aotearoa New Zealand and Australian writers. From Harry Holland, Henry Lawson and Mary Gilmore responding to the legacy of Robert Burns in the nineteenth century, to twenty-first-century novelists applying their literary imaginations to intersectional spaces and Indigenous, settler, gendered and international freedom traditions, McNeill reveals literature’s capacity to find potent forms with which to articulate concepts of, and beliefs about, freedom. McNeill’s argument for literature as an essential ‘form of freedom’ is a resonant call for our times. Authors whose work is discussed in Forms of Freedom include: Pip Adam; Emily Perkins; Alice Tawhai; Hone Tuwhare; Patricia Grace; Elsie Locke; Albert Wendt; Mary Gilmore; Dorothy Hewett; Harry Holland; Eve Langley; Ellen van Neerven; Henry Lawson; Amanda Lohrey.
Granta 167: Extraction edited by Thomas Meaney $33
From mining to Bitcoin, energy politics to psychoanalysis, the spring edition examines a practice as old as human history: Extraction. In this issue James Pogue is detained in the Central African Republic, where mines and mercenaries are at the centre of governmental conflict, Nuar Alsadir analyses boredom, Bathsheba Demuth travels the Yukon River and Laleh Khalili unravels the history of energy in Israel. Elsewhere, Anjan Sundaram reports from Mexico, Thea Riofrancos discusses the green transition and William Atkins visits the Forest of Dean, with photography by Tereza Červeňová. And in fiction, we have new work by Carlos Fonseca (tr. Jessica Sequeira), Camilla Grudova, Benjamin Kunkel, Eka Kurniawan (tr. Annie Tucker) Rachel Kushner and Christian Lorentzen. Plus, photography by Danny Franzreb (introduced by Atossa Araxia Abrahamian) and Salvatore Vitale.
Tairāwhiti: Pine, profit, and the cyclone by Aaron Smale $18
An examination of the region's struggle with colonial legacies and environmental mismanagement. Through personal stories, interviews and critical analysis, Smale uncovers the multifaceted impacts of pine plantations, land confiscation and climate events of increasing severity on a landscape and its people. This book provides a nuanced understanding of the socioeconomic and ecological challenges facing the Tairāwhiti community and points toward a path that will honour and sustain the future.
Death at the Sign of the Rook by Kate Atkinson $38
The stage is set. Marooned overnight by a snowstorm in a grand country house are a cast of characters and a setting that even Agatha Christie might recognise — a vicar, an Army major, a Dowager, a sleuth and his sidekick — except that the sleuth is Jackson Brodie, and the 'sidekick' is DC Reggie Chase. The crumbling house — Burton Makepeace and its chatelaine the Dowager Lady Milton — suffered the loss of their last remaining painting of any value, a Turner, some years ago. The housekeeper, Sophie, who disappeared the same night, is suspected of stealing it. Jackson, a reluctant hostage to the snowstorm, has been investigating the theft of another painting: ‘The Woman with a Weasel’, a portrait, taken from the house of an elderly widow, on the morning she died. The suspect this time is the widow's carer, Melanie. Is this a coincidence or is there a connection? And what secrets does ‘The Woman with a Weasel’ hold? The puzzle is Jackson's to solve. And let's not forget that a convicted murderer is on the run on the moors around Burton Makepeace. All the while, in a bid to make money, Burton Makepeace is determined to keep hosting a shambolic Murder Mystery that acts as a backdrop while the real drama is being played out in the house. A brilliantly plotted, supremely entertaining, and utterly compulsive tour de force from a great writer at the height of her powers. [I’m sure that’s not a rook but perhaps a booby on the cover. {T}]
The House on Via Gemito by Dominico Starnone (translated from Italian by Oonagh Stransky)
The modest apartment in Via Gemito smells of paint and white spirit.The living room furniture is pushed up against the wall to create a make-shift studio, and drying canvases must be moved off the beds each night.
Federi, the father, a railway clerk, is convinced of possessing great artistic talent. If he didn't have a family to feed, he'd be a world-famous painter. Ambitious and frustrated, genuinely talented but full of arrogance and resentment, his life is marked by bitter disappointment.His long-suffering wife and their four sons bear the brunt. It's his first-born who, years later, will sift the lies from the truth to tell the story of a man he spent his whole life trying not to resemble. Narrated against the background of a Naples still marked by WWII and steeped in the city's language and imagery.
Determined: The science of life without free will by Robert Sapolski $30
Determined offers a synthesis of what we know about how consciousness works — the tight weave between reason and emotion and between stimulus and response in the moment and over a life. One by one, Sapolsky tackles all the major arguments for free will and takes them out, cutting a path through the thickets of chaos and complexity science and quantum physics, as well as touching ground on some of the wilder shores of philosophy. He shows us that the history of medicine is in no small part the history of learning that fewer and fewer things are somebody's ‘fault’; for example, for centuries we thought seizures were a sign of demonic possession. Yet, as he acknowledges, it's very hard, and at times impossible, to uncouple from our zeal to judge others and to judge ourselves. Sapolsky applies the new understanding of life beyond free will to some of our most essential questions around punishment, morality, and living well together. By the end, Sapolsky argues that while living our daily lives recognising that we have no free will is going to be monumentally difficult, doing so is not going to result in anarchy, pointlessness, and existential malaise. Instead, it will make for a much more humane world. New paperback edition.
”Robert Sapolsky explains why the latest developments in neuroscience and psychology explode our conventional idea of Free Will. The book's chock-full of complex and often counter-intuitive ideas. It's also a joy to read. That's because Sapolsky is not only one of the world's most brilliant scientists, but also an immensely gifted writer who tells this important story with wit and compassion. It's impossible to recommend this book too highly. Reading it could change your life.” —Laurence Rees
Rare Singles by Benjamin Myers $37
Dinah has always lived in Scarborough. Trapped with her feckless husband and useless son, her one release comes at her town's Northern Soul nights, where she gets to put on her best and lose herself in the classics. Dinah has an especial hero- Bucky Bronco, who recorded a string of soul gems in the late Sixties and then vanished off the face of the earth. When she manages to contact Bucky she can't believe her luck. Over in Chicago, Bucky Bronco is down on his luck and has been since the loss of his beloved wife Maybelle. The best he can hope for is to make ends meet, and try and stay high. But then an unexpected invitation arrives, from someone he's never met, to come to somewhere he's never heard of. With nothing to lose and in need of the cash Bucky boards a plane. And so Bucky finds himself in rainy Scarborough, where everyone seems to know who is preparing to play for an audience for the first time in nearly half a century. Over the course of the week, he finds himself striking up new and unexpected friendships; and facing his past, and its losses, for the very first time.
”Myers is the laureate of friendship, a chronicler of unexpected, transformative connection. How beautiful to read something so affirming and full of light, and to have music, ephemeral as it might be, presented as precious and transformational.” —Wendy Erskine
Living With Our Dead: On loss and consolation by Delphine Horvilleur $30
Eleven stories of loss, mourning, and consolation, collected during years spent caring for the dying and their loved ones. From Charlie Hebdo columnist Elsa Cayat, to Simone Veil and Marceline Loridan, the ‘girls of Birkenau’; from Yitzhak Rabin, to Myriam, a New Yorker obsessed with planning her own funeral, to the author’s friend Ariane and her struggle with terminal illness, Horvilleur writes about death with intelligence, humour, and compassion. Rejecting the contemporary tendency to banish death from our thoughts, she encourages us to embrace its presence as a fundamental part of life. Drawing from the Jewish tradition, Living with Our Dead is a humanist, universal, and hopeful book that celebrates life, love, memory and the power of storytelling to inspire and sustain us.
Whale Fall by Elizabeth O’Connor $30
It is 1938 and for Manod, a young woman living on a remote island off the coast of Wales, the world looks ready to end just as she is trying to imagine a future for herself. The ominous appearance of a beached whale on the island's shore, and rumours of submarines circling beneath the waves, have villagers steeling themselves for what's to come. Empty houses remind them of the men taken by the Great War, and of the difficulty of building a life in the island's harsh, salt-stung landscape. When two anthropologists from the mainland arrive, Manod sees in them a rare moment of opportunity to leave the island and discover the life she has been searching for. But, as she guides them across the island's cliffs, she becomes entangled in their relationship, and her imagined future begins to seem desperately out of reach.
”Brief but complete, the book is an example of precisely observed writing that makes a character's specific existence glimmer with verisimilitude. To different eyes, the same island might look like a prison or a romantic enclave, but to actually apprehend the truth of a place or person requires patience, nuanced attention and the painstaking accrual of details. Understanding is hard work, O'Connor suggests, especially when we must release our preconceptions. While the researchers fail to grasp this, Manod does not, and her reward by book's end, painfully earned, is a new and thrilling resolve.” —Maggie Shipstead, New York Times
”An astonishingly assured debut that straddles many polarities: love and loss, the familiar and the strange, trust and betrayal, land and sea, life and death. O'Connor has created a beguiling and beguiled narrator in Manod: I loved seeing the world through her eyes, and I didn't want it to end.” —Maggie O'Farrell
Ten Nosey Weka by Kate Preece and Isobel Joy Te Aho-White $22
A trilingual picture book in ta rē Moriori, te reo Māori, and English. Learn basic words and numbers in the Moriori, Māori, and English languages in this book about ten nosy weka, who peck at ngarara (ngarara / insects), squeeze under a farm gate, and tease a tchuna (tuna / eel). Let's hope these curious weka can find their way back to their flock in the end.
A selection of books from our shelves.
Click through to find out more about these superb art books from excellent Aotearoa publishers.
Making Space: A History of New Zealand Women in Architecture
Sight Lines: Women and Art in Aotearoa
Through Shaded Glass: Women and Photography in Aotearoa New Zealand 1860 -1960
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23 August 2024